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The Congress

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The Congress

An aging, out-of-work actress accepts one last job, though the consequences of her decision affect her in ways she didn't consider.

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Release : 2013
Rating : 6.4
Studio : France 2 Cinéma,  Pandora Film,  Entre Chien et Loup, 
Crew : Production Design,  Director of Photography, 
Cast : Robin Wright Harvey Keitel Jon Hamm Danny Huston Paul Giamatti
Genre : Animation Drama Science Fiction

Cast List

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Reviews

Karry
2021/05/13

Best movie of this year hands down!

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Kien Navarro
2018/08/30

Exactly the movie you think it is, but not the movie you want it to be.

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Jakoba
2018/08/30

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

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Geraldine
2018/08/30

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

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snowboarderbo
2016/11/16

This was awful. Truly awful.The first act is 45 minutes long and is paced slower than coal turning into diamonds. None of the characters are believable at all, though some of the actors do give typically decent performances, particularly Harvey Keitel. Every character, in addition to not being believable, is loathsome. I didn't care about anyone and actively hated a few that I was supposed to sympathetic to. The second act was painful to watch. The animated parts weren't even interesting. For one, the concept of an "animated zone" was unbelievably stupid. Why would anyone do that in the first place, set something up where you've essentially taken LSD but somehow have to function as if you have not? The first scene where she's driving her car and the desert turns into an ocean and she finally goes over a cliff, for instance, was ludicrous; people would be dead. Then, she's already seeing herself and everything around her as a cartoon, but for some reason the tap water contains ANOTHER hallucinogenic drug??? It was also inexplicable to me why they mostly stuck with a pastiche of classic 1930s-50s style cartoon art, and even that wasn't done well.The third act and the ending were beyond terrible. I spent 2 hours watching this and at the end had no resolution whatsoever beyond the real world being a terrible place, terrible people getting what they want at everyone else's expense, and our protagonist being significantly worse off than she was when the movie started.I couldn't even tell you what themes they were trying to explore. There was no examination of the nature of reality, no look at what it means to be human, no exploration of how we trust our senses... nothing at all.A better movie with a similar subject (the digitizing of actors) was made way back in 1981. Looker is a flawed and dated film, but it is at least engaging: there is conflict, the characters have real motivations. And not least, there is a resolution to the story beyond the story just ending.If you and your wife were 2 of 13,000 that saw this film, I'd guess that you were 2 of 13,000 that enjoyed the experience; The Congress was execrable IMO. In fact, it was so bad that I consider it a public service to warn people away from it.DO NOT WATCH!Zero stars; zero thumbs up.

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Seth_Rogue_One
2016/02/21

The first 45 minutes was actually not bad at all, that part of the movie is filmed with real life people with Robin Wright playing some kind of version of herself.But then she enters a animation zone (I could explain it but I won't as it would possibly spoil something, plus it wouldn't make much sense if I did anyways).Anyways yeah so then the movie including Robin herself turns animated and it quickly goes down hill.First of all the animations to me are downright ugly (to me at least, I'm sure some would disagree) but the biggest issue I have with the movie is the plot... or should I say, lack there of.It just turns into a random soup of nonsense with potential sub-plots that none of them are fully examined but it just jumps from one sub-plot to another as if in a dreamlike state, which granted is probably intentional but it makes it really hard to follow or to even care to follow tbh.And the dialogue is incredibly pretentious as well, which I'm sure a lot of people will see as poetic on some level or something but me I just found it incredibly annoying.There's probably a bunch of metaphors or symbolisms in this to make up for the lack of coherency in plot that I'm completely missing, but what good does that do to me as a regular viewer? Nothing.I was tempted many times to hit the fast-forward button (or even the stop-button for that matter) but I decided to suffer through the nonsense in hopes for at least some sort of pay-off in the end... But no.I was initially gonna give it a 3 because I did enjoy the first 45 minutes but considering how much I didn't like the following 1 hour and 10 minutes that just ruined the whole movie for me as a whole so yeah I'm gonna give it a 2.

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Brian Milnes
2015/09/14

Huge talents (Robin Wright, Harvey Keitel, Paul Giamatti) totally let down by irredeemable execution. A promising premise, that actors will be replaced by their own avatars, is utterly wasted here. It's like the producers ran out of money, and instead of the live action/futuristic version, supplanted some weird, Fritz the Cat version of the second two thirds of the film, in it's place. "WTF was that all about?" you may, no WILL, ask yourself. Incoherent rubbish is the natural conclusion.This film must have been like the "Emperor's New Clothes" when being pitched. Somebody should have prevented Robin Wright making another terrible choice...

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Lucas Sousa
2015/07/18

First thing of all: a drug that gives us all our wishes the way we want is not good for economy, for the entire world economy. The main pinnacle of our occidental economy is the fact that people BUY, constantly, with a great variety. People buy all kinds of products not because they need to buy it, but for two main reasons: for social status, or for tradition. It's not just a choice of an individual if she or he is going to buy a new food, drug, mobile-phone, book, etc. Doesn't matter how perfect an Apple phone (Iphone) can be, sometime you either buy a new one, or the one you have gets broken and you buy another. It's for some social reasons that people buy. First, it's because the occident have created a society in which such consumerism is possible with De La Division du Travail Social (The Division of Labour in Society), second, it's because we are born in a family in which it's OK to buy a mini skirt or something like that (for example, if you're born in a Quaker family, you going to have a bad time with freedom to choose what you buy), third, if we are lucky about the previous possibilities, we still buy according to what kind of social group we are integrated, for example, if I'm a skater, the things that I'll buy will be slightly different from what a "headbanger" buys, or a rapper from Brooklyn, etc. And here I get into the second point about what the movie gets wrong about society. What I want to say is that we do not only seek individual pleasure, we also seek social status, we are constantly trying to reaffirm our position on our social groups, and we act accordingly with it. Although the individual has much more liberty to choose and act than it had before the modernity (the consequences being not so good as it seems, as Durkheim shows on Le Suicide), we still are seeking new ways to be more easily socially integrated, that's why the people who use Facebook the most are people with more social life (as some studies have concluded), and even on Facebook we have dozens of crews, and that's why new kinds of social integration are constantly being born and reaffirmed (the boom of "what's up" for example). I don't know if this movie would be scientifically possible, I would not doubt, since technology is improving beyond our sights, but what I do know is that it's sociologically impossible, for two main reasons: it would break the world economy, and second, it's not sociologically viable. And a third point that I won't discuss much further, what about the State? Only in anarchy that would be possible, and it doesn't seems that all order was abandoned in that world, the Contemporary State is a bourgeois State, it needs, as a corporation, to maintain the profits of the dominating class. Beyond this sociological analysis, I must say that the story is a little bit confusing, that "revolt" or "revolution", I could not get it if that was meant to break the new system that was about to happen but failed, or if it just changed the way of how things were going to be, like a single company was selling these drugs but then it became free for everyone. Second, I did not get it that thing about Robin being frozen to wait for a world in which she could be cured (the disease appearing to be "seeing the world as cartoon" or just the "random dreams" she was having?), it seemed just a bad excuse to get her separated from her son for a long time. Although its sociological failure, the movie have a good picture, and it's an interesting sci- fi. And it shows a very important thing about post-modern society: that we are blindly trying to seek happiness and understand what we need by individual ways, we forget that what we need since we invented religion is being socially integrated, not just individual pleasure. As Durkheim shows on Elementary Forms of the Religious Life, we praise society, not a god, and being moderately socially integrated is necessary for our health, as he shows on Le Suicide.

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