Watch Weird Science For Free

Perfect cast and a good story

It's no definitive masterpiece but it's damn close.

The film makes a home in your brain and the only cure is to see it again.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Weird science is a raunchy comedy for younger teens but still gets away with more than a lot of other raunchy comedies. It is a classic film in the Jhon Hughes line up of movies. Its about two teens Gary and Wyatt that want to get laid, and with the power of a computer and some oingo boingo music the make a woman. And she is played by the beautiful Kelly LeBrock and this film awesome so go check it out.

Silly John Hughes comedy is much closer to his goofy and crass early works like "National Lampoon's Class Reunion" than his more thoughtful teen dramas like "The Breakfast Club" or "Pretty in Pink." Hughes mines teen fantasy wish fulfillment when nerdy Anthony Michael Hall and Ilan Mitchell-Smith make a woman, Kelly LeBrock, who helps them become cool and meet cute girls. Since the film is a fantasy, it does allow it to have over-the-top characters, like Bill Paxton's Chet, or have Road Warriors crash a party on their motorcycles (who include Michael Berryman and actual Road Warrior alumni, Vernon Wells), though I never really cared for most of Hughes pictures that were broad comedies along these line (i.e. "The Great Outdoors" or "Beethoven"). I prefer his more sincere of comedies, including everything from classics like those mentioned above to even lesser ones like "Career Opportunities" or "Dutch." Still, there's an 80s nostalgia factor here for me, which earned this film an extra star.

Two high school nerds attempt to create the perfect woman, but she turns out to be more than that. I never thought that 2017 would start in such a way but overall since we lost a great actor and person today here's my review for "Weird Science" starring Bill Paxton, Kelly LeBrock, Anthony Michael Hall, Ilan Mitchell-Smith and Robert Downey Jr and the reason why i loved this film it was easy. It was made in the 80's and there were some great references to movies such as "Road Warrior" or "Dirty Harry" plus it's an insane and funny comedy with some really great performances by some really talented people and fans of that time won't be disappointed.

This isn't the worst movie I've seen. But it exemplifies everything that's wrong with 80's movies.The plot concerns two awkward teenage boys who somehow manage to create a beautiful woman, who, like some sort of uber-hot fairy godmother, helps them come out of their shell and become confident members of society- terrible, terrible 80's society.My biggest problem with the film plotwise is that there's no evidence that they're actually better people. If anything, they're more annoying than they were at the start of the film. And all throughout, they are just horrible and horribly unlikable people. If this were my film, they would be the antagonists instead of the protagonists. If nothing else, there should have been some time for the characters to reflect and think on what they've done. But why have reflection and intelligence when you can have low-grade humor and pathetic wish fulfillment disguised as empowerment for the last sorts of people on earth who actually need empowerment? I really hate the 80's. I am so glad I didn't have to live through them.It gets to the point that the purposely, hideously one-dimensional evil big brother character is the most sympathetic one in the film. 80's films love wish fulfillment, and this isn't inherently a bad thing. Ferris Bueller's Day Off is pure wish fulfillment, and it's also one of the best movies of the decade. The main difference is that Ferris is cool and smart and free while the main characters here are pathetic, smarmy, and squirmy. I'd go anywhere with Ferris. I'd do anything to avoid going with these people. Ferris earned his crazy getaways. These people stumble around. They're more like Camerons, except Cameron is genuinely likable- a normal guy- whereas these people are unrelatable freaks.But of course this movie doesn't need to be as good as Ferris to be watchable, just like not every fantasy film needs to be The Lord of the Rings. This film isn't bad because not even a homeless man would take it as a replacement for one of the great 80's teen comedies. This film is bad because it's an insensitive, brainless, unfunny, dull, absurd piece of cinematic garbage that is inferior to every other movie that has endured from its time and genre.The effects are bad, even for a cheap 80's movie, and the characters are boringly one-dimensional. I'm for more angry at the latter flaw, particularly considering this is a Hughes film. Sure, Hughes helped enforce those stereotypes, but he usually built beyond them and did something with them. That's what makes the Breakfast Club so great. But the characters here are so by-the-numbers, it's laughable.My theory is this: Hughes used up all his wit and creativity on TBC and Sixteen Candles and had none left for this film. I'm backed up by the fact that he made all three of those movies one after another over the span of 19 months. Maybe he just didn't have anything left in him. Maybe he had to go back and recharge before getting back to it.There are few positives to this movie, but these are they: Kelly Lebrock does a great job as the created woman. She's not a great actress, but no one in this movie acts well, so her lack of ability doesn't stand out. What does stand out is her charisma and poise. She's the only redeemable part of the movie.And then they're the fact the film often veers into so bad it's good territory. When the film's being absurd instead of absurdly boring, it's actually quite funny. It's not intentional humor, but it's something.The film isn't as sexist as one would think. It's bad in that regard, yes, but it's so bad and ridiculous that you're only going to be offended if you're looking to be offended.Eighties movies are like the first act of 90's movies, where it looks like the main characters have gotten away with committed morally questionable needs, but their actions soon catch up to them. In 80's movies, there's no karma. But in the case of films like this, I desperately wish there were.