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Pretty good movie overall. First half was nothing special but it got better as it went along.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Director Jeff Kanew's crime comedy "Tough Guys" gave Burt Lancaster and Kirk Douglas the big-send-off. This constituted their final film together as co-stars. Previously, these two Hollywood titans had appeared in "I Walk Alone" (1948), "Gunfight at the O.K. Corral" (1957), "The Devil's Disciple" (1959), "The List of Adrian Messenger" (1963), "Seven Days in May" (1964), and the made-for-television thriller "Victory at Entebbe" (1976). Comparatively, "Tough Guys" surpasses "The List of Adrian Messenger" and "Victory at Entebbe." Lancaster and Douglas were cast as two old-time convicts who spent 30 years in prison for robbing a train and ultimately received parole. Life has changed substantially for 72 year old Harry Doyle and 67 year old Archie Long. They have been cell mates for three decades, and they weren't exactly ecstatic about that. Now that they are on the outside, they find it increasingly difficult to fit into society. Harry is sent to a retirement home in a large building where a physically fit man bullies the oldsters with a smile. Harry spearheads an uprising to obtain better food for the residents. Meanwhile, physically fit Archie hits Los Angeles running and survives things until he cannot take it anymore. He moves in with a gym manager, but her sexual demands and the clownish outfits that he must wear turn him off. At the same time that our heroes are struggling to blend into society, the cop who arrested them, Deke Yablonski (Charles Durning of "Sharky's Machine"), suspects that 30 years behind bars hasn't rehabilitated them. Sadly, Yablonski is right. The old guys turn back to a life of crime, and they hijack the same train that they robbed back in the old days. Lancaster and Douglas still have some charisma, especially Douglas who moons Yablonski from the top of a moving train during the finale. Happily, Jeff Kanew doesn't wear out his welcome, and reportedly the movie made enough to break even and get the two faded stars about a million each in their pockets. The scene in the old folks home when Harry leads the protest against the inadequate food is reminiscent of "White Heat." Eli Wallach has supporting role as a bespectacled hit-man who has waited 30 years to carry out a contract on our protagonists. Of course, if you're as big a fan of Lancaster and Douglas as I am, you will have to see it. . One of the reoccurring gags appears to have been appropriated from William Goldman's "Butch Cassidy and the Sundance Kid" screenplay about rules in a fight. Mind you, "Tough Guys" isn't great, but it was fine to see these two kicking butt and taking names.

It almost seems surreal to see these great timeless actors to show up in this film, years later, if like just popped out of the blue. Both weren't doing that much in the surrounding years. I only saw this movie once, before back in 1988. On the re watch, I watched it one more time after, as it being so bloody entertaining with two legendary stars, one no longer with us, but never forgotten, especially if you watch this. I move on to the other great, and incredible actor in a minute. After a thirty year stretch for robbing a train, ex cons, Archie (Douglas) and the older and wiser Harry (Lancaster) are released, where everything has changed. They have a well meaning goody goody parole officer, beautifully played by Carvey, who idolizes them, and who volunteered to take their cases. His character very much reminded me of his one in the zany Pryor comedy, Moving, two years later, where in that movie, all those off the wall, split personality characters, followed. It really sucks to see how Archie and Harry have to adhere to their conditions, but as you'll see, these aren't great examples of reform, where soon, after giving a few d..kheads what they deserve, even an overweight smart kid, who gets his just deserts, so to speak, they go back to doing what they do best, robbing stuff. But they've kind of lost their touch, where they resort to stealing that one thing, that got em those thirty years, where I loved how this climax, cutely ensued. Again, don't trust Mexicans. Eli Wallach is a frickin' cool hoot, as a really p..s poor sighted hit-man, who always sees a job through, no matter how long, lets say, bumbling repeatedly, in his efforts to take out our famous duo. Just the third classic performance to complete the set. Charles Durning, isn't bad, though stereotyped, as a once Sergeant, now desk clerk, who really has a bug in his bonet, and big hate for these old timers. Darlanne Fluegel, an always above level performer, is Archie's new, much younger, fling, has never looked hotter, I kind of built up a sweat. When I think of Tough Guys, I think of a colorful, and juicily entertaining comedy, with some classic moments that are comedy gold and lines too, you won't bored. Kenny Roger's opening song, is a winner, no doubt, and a treat I will looking forward too, on every watch, now. Billy Barty, as a retired ex con, and one of our duo's old friends, appears briefly. Another old friend, provides a scene, which will have you, like are duo, in an angry stupor. Tough Guys, a light hearted crime flick, is one of those fun movies, with honest, sincere, and real characters (our leads) that doesn't come along that often, a movie for almost everyone. The "Tough Enough" song, another version of, was used for a garbage bag ad. A must see, and that's the truth Ruth. How our two, no three, starts escaped acting accolades here, is almost criminal.

Of course Kirk Douglas did quite a few more films after this but he didn't do em with this kind of fun in mind.Two former train robbers get parole after 30 years. Now they have to decide what to do when they get out. They're 65 and 72 years old and don't have a lot of skills. On top of that they don't fit in the 80's way of life. Their parole officer tells them they cant see each other for 3 years as per condition of their parole. They both have a heckuva time adjusting to this new existence and finally decide to go back to their old way of life.This is one of those 80's gems that I never forgot. Two great actors in their last good film doing what they do best... Acting tough and being guys....Tough Guys. Burt Lancaster is the straight man and Kirk Douglas has all the good lines. Keep a watch out for Eli Wallach...he steals almost the entire film with the small role he has. Yes you will see a very young Dana Carvey pre SNL.Grab this 80's flick and have a laugh cause I'll bet it won't be too hard to do.

The 1980s was a period of transition as many great film legends died. Cary Grant, Bette Davis, Lawrence Olivier, Fred Astaire, Jimmy Cagney were just a few of those who left the scene. But there were attempts (before the end) to bring some of the great figures together. Bette Davis and Jimmy Steward made there only film together. Henry Fonda and Katherine Hepburn did ON GOLDEN POND. Cagney appeared with pal Pat O'Brien, as well as Donald O'Connor, in RAGTIME. Davis appeared with Lillian Gish, Anne Southern, and Vincent Price in THE WHALES OF AUGUST. And Burt Lancaster and Kirk Douglas appeared in this film.In the Oscar ceremonies of 1985, Lancaster and Douglas had come in together to deliver an award, and everyone noted how healthy both men still were. It was over two decades since they appeared in a film as co-stars (SEVEN DAYS IN MAY), and some of the news items in the wake of their appearance suggested it was too bad there was no property that they could develop together. Shortly afterward this comedy was produced.It had a great build-up, and I was fortunate to see it in a movie house. But it did not have a massive audience box-office, and was gone within six weeks. It was too bad, because it was a funny film, and would turn out to be the best comedy buddy film of the films that they did together.Harry and Archie (Lancaster and Douglas) pulled off one of the smoothest and most impressive railway train robberies in American history back in 1947. They almost got away with it, except for the persistence of a police officer (played by Charles Durning) who broke the case and managed to bring them to jail. They have served nearly forty years in jail, and when released they are in for time shocks. After all, they were used to the world of 1946/47. While both are physically fit, both can't get out of their mental views from their youth.On top of that, they have to deal with Durning, whose police career - after it's brilliant start - petered out leaving him embittered, and desperate to prove himself to the young pups who count the days until his enforced retirement. They have to deal with parole officer Dana Carvey, who has all the typical problems of a nice, naive parole officer. They have to deal with hostility around them from all peoples - mostly the young, but the middle aged are not much better. They resemble Reggie Kray, one time kingpin of London's largest criminal empire, who in his later years when interviewed pointed out to reporters that (while he did not dismiss his own use of violence against opponents in other gangs) he did dislike the lack of respect he observed towards older citizens. He and his brother Ronnie never stood for that kind of thing. Neither do Harry and Archie here. When threatened as easy, elderly targets by a gang of punks, they beat up the punks quite effectively.To add to their woes is the most ridiculous, but scrupulous, hit-man in modern cinema: Leon B. Little (Eli Wallach - who almost walks off with the picture). Hired on a contract against the boys back in their heyday, their being in prison prevented the ever ready Little from completing their executions. Even the death of the idiot who hired him means nothing - he was paid already, and he has a code of honor with his clients. That in the end, the battle of youth and old age unites Lancaster, Douglas, Wallach, and even Durning should not surprise anyone. All four manage to demonstrate that it is street smarts and brains, not youthful idealism (paging Carvey) that will win out in the end. The film has some nice moments, such as Douglas almost going in for dirty dancing with a young chippy, and Lancaster protesting the slop he has to eat in an old age home, and memorably showing his teeth to advantage for a purpose (for a change). It was a good conclusion to the long road of movies these two cinema giants made together - and a funny one too.