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Purely Joyful Movie!

Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

The best of the revolutionary spaghetti westerns. Volante's best role imo within this genre. Complex characterizations, interesting narrative & an ending that will leave U a bit shocked perhaps.Other's have reviewed the plot. I will say Lou Costello as El Nino is a cypher in this film, his character is rather blank & not easily read but that's the point. Other reviews I have read remark he has no charisma or his characterization is boring but they miss the point; he is a professional assassin & he knows exactly what he wants & what he is doing & he is smarter than everyone around him. Chuncho's first realization there is something more to El Nino comes in a quiet scene where in he asks Costello as El Nino 'U don't like wine, U don't like women, what do U like' paraphrasing, El Nino replies 'Gold'.Kinski is wonderful as always. Highly recommended spaghetti western! IMO this is Volante's best characterization although 'Face to Face' is very close in my ranking, here his emotional arc is extreme & he is an excellent actor. I always enjoyed his performances but in this film he really does a wonderful wonderful job of acting. He makes most modern American actors look like rank beginners in comparison. He was truly gifted. RIP amigo.

Set during the Mexican Revolution of the early 20th century, a group of Mexican bandits led by El Chuncho (Gian Maria Volonté) rob a train carrying weapons for the Mexican army. They are assisted by an American passenger, Bill Tate (Lou Castel), who stops the train in exchange for him being allowed to join the group. Whilst A Bullet For The General is not as fun as say Django, it could be argued that it is a superior film - wonderful central performances under quietly confident direction attest to that. A spaghetti western that's not afraid to get its hands dirty with a dose of social commentary – highlighting the morally dubious nature that the sub-genre and its characters consistently revel in – A Bullet For The General, whilst not perfect, is a solid entry nonetheless with enough compelling characterisation (certainly more compelling than Django, save for that film's titular antihero), drama and action to tick most boxes.

I have to admit I'm not the biggest fan of the political spaghettis revolving around the Mexican revolution that came out during the late 60's. It was a trend that coincided with the general left-ist sentiment that prevailed in Italy at that time and gave directors like Sollima and Damiani in this case a perfect opportunity to speak their views. However I'm a sucker for a good spaghetti western.A Bullet for the General starts out fantastic with a train hold up by the Mexican bandit El Chucho (Gian Maria Volonte). The whole setting and the moral dilemma the captain of the train faces is just right on the money. For the next hour though the movie takes a sudden downturn in quality. There's plenty of shooting action, but it's uninteresting for the most part. We watch El Chucho's gang as they attack different posts to steal arms for a revolutionary general called Elias. There's a running sociopolitical commentary throughout the movie, but what really takes it down a notch is the heavy handed dialogue. The English dubbing is absolutely awful and the translations probably don't do justice to the original material. Some of them are so cringe-worthy that the ideas they're supposed to convey become caricatures.The good thing is that the second hour is better as it focuses more on character drama and conflict. The last 20 minutes in particular elevate the movie from just OK and are worth the price of admission. The cinematography by Damiani is excellent, the desolate terrain becoming another character in the movie. The performances are solid for the most part, with Volonte stealing every scene he's in as the greasy Mexican bandito with a heart of gold. His change of heart during the end is a joy to behold.Overall if it weren't for the atrocious dubbing and occasionally silly dialogue, this would be a classic. As far as political spaghettis go, Sollima's Faccia a Faccia is still the undisputed king. In the Mexican revolution-era adventure department, it doesn't top Corbucci's Companeros. However it's still very good as it is, combining bits and pieces from both worlds into an entertaining story. Recommended viewing for fans of the genre.

Damiano Damiani's masterpiece "El Chuncho Quién Sabe?" aka. "A Bullet For The General" of 1967 is a very political Spaghetti Western set in the Mexican Revolution. A quite brutal tale about ideals, greed, friendship and selfishness, is not only a very entertaining Spaghetti Western, but also a unique study of an idealistic man's struggle between his greed and desire for wealth on the one hand, and his beliefs and ideals on the other hand.El Chuncho (Gian Maria Volontè) is a bandit and revolutionary with a strong fondness for women, alcohol and cigars. Along with his slightly insane, but religious and very idealistic brother El Santo (Klaus Kinski), he leads a gang of bandits with beliefs, who help the poor and rob the government's army to sell the weapons to the revolutionary army. When the gang is joined by Bill Tate, an American who, due to his youth, is just referred to as "El Nino" by El Chuncho and his fellow Mexican bandidos, the gang leader starts to befriend with the gringo. El Nino, however is basically almost the opposite of El Chuncho, he doesn't drink, he doesn't smoke and he doesn't waste his time with women, and neither does he believe in any causes or ideals, the only thing he is interested in is quick and good money. His friendship to the baby-faced but selfish and cold-blooded Nino, becomes a breaking test for Chuncho, who is torn between his greed and his ideals.Although Sergio Leone and Sergio Corbucci are two of my favorite directors of all-time, and their movies "Giù La Testa" ("Duck You Sucker", Leone) and "Il Mercenario" ("The Mercenary", Corbucci), are two awesome movies, and furthermore there are quite a few more excellent Mexican Revolution Spaghetti Westerns , I would name "A Bullet for the General" as my favorite of the Mexican-Revolution-themed Spaghetti Westerns. The acting in this movie is superb. Gian Maria Volontè played in four Spaghetti Westerns and each one of them is a masterpiece. After his excellent performances in "A Fistful Of Dollars", "For A Few Dollars More" and Sergio Sollima's "Faccia A Faccia"/"Face To Face", Volontè is superb as El Chuncho, the most lovable Spaghetti Western character he played. Klaus Kinski is great as always, the character of the rather crazy but idealistic El Santo is quite unusual, since Kinski's roles in Italian Westerns were, with a few exceptions, normally those of extremely cold blooded and selfish killers, who didn't think of anybody but themselves. Lou Castel perfectly fits into the role of baby-faced El Nino, and he manages to point out his character's cleverness and selfishness in a very good way. The directing by Damiano Damiani is brilliant and so is the cinematography. I would have rated this 10/10 if it wasn't for he one minor flaw: The score by Ennio Morricone and Louis Bavalov is good, but it is no quite as great as it could have been as it can't compete with the brilliance of other Morricone scores. Nevertheless, an excellent film! A brutal, witty and very political Spaghetti Western, "A Bullet For The General" is an excellent film that genre-fans, and film buffs in general should not miss!