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good back-story, and good acting

Admirable film.

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

I am cynical by nature. But I am particularly cynical of Australia films. Often they are gritty and raw, but to the point of being over the top.Until the second half of this film, this was just a better than ordinary Aussie film. But Frances O'Connor made this into something other worldly in my opinion. The final scene was haunting but showed what a real shift in a persons perspective might look like. When she danced, filling the screen, I admit that it overwhelmed me. I felt her pain and changed my own view of her as a cold, selfish woman and mother to someone capable of deep, deep love.I've always thought that there is no real way to gauge excellent acting and so thought awarding an actress/actor on their performances was simply a matter of large-scale ego-stroking; but I have changed my mind in this case. I am left wondering why this movie totally missed an Oscar nod, particularly considering the lacklustre nominees of the 2010 Oscars.(And I thought the rest of the cast did a great job too)

Ana Kokkinos' Blessed is a heartbreaking tale of the love between mothers and their children, and is one of the finest achievements of Australian cinema. The flawless screenplay follows a number of characters through a single day, deftly telling their stories from different points of view until we develop a full understanding of the day's events. Geoff Burton's stunning cinematography focuses on unexpected things – a pattern on a wall, a flash of fabric – and then moves in close to the characters, creating a rich visual texture. The music of Cezary Skubiszewski is one of the finest movie scores of recent years, gently enhancing the drama and the brilliant performances of the actors. The entire cast is superb, but I must make special mention of Frances O'Connor, who gives the performance of her life, and the splendid Monica Maughan, whose brief appearance in the film is truly unforgettable. Blessed represents a triumphant return to form for Kokkinos, after the disappointing Book of Revelation, proving that the astonishing Head On was no fluke. Her uncompromising, insightful, deeply humanist eye makes her one of the most exciting directors working today. Blessed is a deeply moving film that you will never forget, and deserves to be showered with awards.

I attended the International Premiere of "Blessed" at the 2009 Toronto International Film Festival. Many of my favorite films have come from Australia, so I had high hopes going into "Blessed," and was not disappointed. This is just the kind of film I look for -- a sweet little gem that will make you laugh and cry."Blessed" follows five mothers and seven kids -- three boys and four girls -- aged 14-18, as they wander the streets after having run away or been abandoned by their parents. Left to fend for themselves, each teen's plight is poignantly portrayed by a talented young group of Australian actors culled from thousands. Mostly unknowns, I did recognize the terrific Harrison Gilbertson as Daniel, who starred in "Accidents Happen," one of favorites from this year's Tribeca Film Festival. The mothers are appropriately anguished at the apparent loss of their loved ones, not knowing whether or not they'll ever come home. The vulnerable teens fall prey to their own as well as others' desires, and there are enough twists and turns to add additional layers to an already compelling set of stories. "Blessed" left me with a smile on my face and a tear in my eye. It's a superb character-driven study of the bond between mothers and children.

Anna Kokkinos' films have always been provocative and confronting. Her latest, Blessed, is no exception. Like her previous films it deals with some big and important themes like adolescent angst, teens struggling with their own sexuality, trying to find their sense of identity. But here Kokkinos and regular co-writer Andrew Bovell have tackled more ambitious themes as well. Blessed looks at the relationship between mothers and their children, and the physical and psychological damage they unwittingly inflict on their offspring through neglect, indifference, selfishness, or because they are too absorbed in their own world and its problems. Blessed follows five different stories and characters from different socio-economic and ethnic backgrounds in a non-linear structure that jumps between the various strands. We first see the kids' point of view and then we follow events from the mothers' perspective. Not all of the stories will have a happy ending. Kokkinos has assembled a strong cast, including Deborra-Lee Furness, William McInnes, and Miranda Otto, while Frances O'Connor is heart wrenchingly good. The young cast also acquit themselves well. Cezary Skubiszewik's haunting and sublime score heightens the emotional punch.