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good back-story, and good acting

Best movie ever!

A Masterpiece!

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

Charlie Chan (Sidney Toler) investigates when a treasury agent is murdered aboard an ocean liner. Penultimate Toler Chan film has some pros & cons. The pros: Jimmy Chan (Victor Sen Yung) is assisting his father. Jimmy breathes life into the Monogram series which, with the exception of the one movie with Frances Chan as Charlie's daughter, saw Charlie saddled with lifeless sidekick Benson Fong and bug-eyed comedian Mantan Moreland. Another pro is the decent supporting cast that includes Dick Elliott, Richard Vallin, Joseph Crehan, and pretty Gloria Warren. The cons: typically cheap Monogram production, as well as the inclusion of stereotypical comic relief Chattanooga Brown (Willie Best). This is the second and final appearance of Chattanooga in the series. Thankfully, he's overshadowed by the likable personality of Victor Sen Yung. Not a particularly strong Chan film, but helped by the presence of Jimmy.

I wish someone could tell me why Willie Best played 'Chattanooga Brown' in a couple late Charlie Chan films. After all, Mantan Moreland had played 'Birmingham Brown' in quite a few Chan films--why was he briefly replaced? And, did they really think people would just accept 'Chattanooga'?! He wasn't a good addition to 1945's "The Red Dragon" and now he's back for one final appearance in the Chan series...but why?! As for the plot, it's pretty typical. As was often the case, Charlie Chan is on vacation--during which time someone is murdered (in this a US government agent). This time is occurs aboard a cruise ship--also not the first time for this series. So, it's up to Charlie and two bumbling assistants (#3 son and Chattanooga) to solve this case. Considering he always did, it's probably not too much of a stretch to say that once again he'll be successful. So this make you wonder why the criminals didn't just kill Charlie first! Among the many possible suspects is Mr. Burke--played by the very familiar actor, Dick Elliott. Usually, Elliott played bumbling and rather dim individuals--here he plays a slimy and rather dangerous character. But is he the killer or just a horrid little blackmailer and all-around jerk? Overall, this is an exceptionally familiar sort of Chan story...without Mantan Moreland. The only things that set this one apart are that you see Charlie shoot a couple people (though, not surprisingly for a B-film, he never kills any of them--they're only flesh wounds!) and one of the passengers is a cross-dresser!! It's slightly below average in quality, but considering that Chan films are always worth watching, it's still worth your time.

Storywise, this is yet another disposable Chan story, industrialized movie-making.There are two things of interest here.One is how the needs of the Chan franchise ferret out peculiar corners of the American national story. In this case the US was well into the beginning of administering regions in the Pacific. This gave opportunities for new kinds of crime and the novelty of the crime was one of the attractions of the series at this point. So we have the smuggling of colonial currency, an esoteric illegality — and the use of new weapon, a "knifethrowing" pistol.Ho hum. I suppose that will be interesting to historians. But for students of film there's a lesson here too. What do you do if your story depends on matters of race and you want to exploit that but also want to bury it? You fold it into other narrative elements of race.For those who don't know the franchise, it was very long and successful. It stars a white guy pretending to be a Chinese master detective, the acting mostly through a halting English and a few phrases like: "a hasty man can drink tea with a fork." Incidentally, this fits in an odd place in the detective genre because we never really see any detecting, any real wisdom. The only thing we see is him setting traps with the trap revealing the hidden crook. He never figures it out directly.Back to race. Chan's race is hidden twice. First, we have one of his sons as "assistant," a comic, bumbling idiot. This truly is racist and deliberately so. The contrast between the son (played by a real Asian) and his lack of insight and his father is amplified by the physical appearance and the obvious appearance.And this is further folded or shadowed (an appropriate term) by the black guy. He is placed as far from the son in all dimensions as the son is from the father. He is that much more comic, and independently clueless, and also independently "ethnic." Its a vile notion to exploit by today's standards, but the method of shadowed folding is clear.Its a device used in literature, but much more common in film because you can link so many more qualities in parallel, here all aligned to "detection" qualities. That Africanamerican's name is Chattanooga, derived probably from Jack Benny's "man" Rochester.Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

"Dangerous Money" is an aptly named Charlie Chan film in which Sidney Toler's character investigates a pair of murders relating to illegal trading in "hot money" and stolen art. The action takes place aboard the S.S. Newcastle heading to Australia via Samoa. Along for the ride are Number #2 Son Jimmy (Victor Sen Yung) and assistant Chattanooga Brown (Willie Best). Charlie doesn't have much time to solve the case as he's committed to another investigation on arrival in Sydney. Be prepared for more uncomfortable racial insinuations, as Jimmy converses with Chattanooga via walkie talkie using the code names "Chop Suey 108" and "Pork Chop 711". Once again Chan/Toler demonstrates his dancing skill in a film; in "Red Dragon", he cut a mean rumba, here he slows it down a bit, but still quite smoothly with a shipboard waltz. Passenger Rona Simmonds (Gloria Warren) and ship's pursar George Brace (Joseph Allen) are hiding a secret for which she is being blackmailed. She is traveling with false papers, smuggled on board in an attempt to identify art stolen from her banker father. International businessman P.T. Burke (Dick Elliott) uses his position to extort a valuable necklace from Simmonds, but as we've seen before, there is another villain masterminding the action from a loftier height. He is flushed out by Charlie in a convenient "lights out" scene intended to add to the confusion. I have to admit, it's difficult to follow most Charlie Chan films without keeping a personal scorecard, and even so, the revelation of the killer almost always comes as a surprise. Chan himself best expresses this in a line from the film - "Kangaroo reaches destination also by leaps and bounds".