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Sadly Over-hyped

A movie that not only functions as a solid scarefest but a razor-sharp satire.

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Heavy dramatics and a suffocating atmosphere make this a challenge at times. What it has to balance out all the weighty goings on is acting of the highest order. Dean Martin, Yvette Mimieux and Gene Tierney all contribute excellent work but the real fireworks is between Geraldine Page and Wendy Hiller as Dean's sisters. While Gerry Page has the showier role it's Wendy Hiller who gives the film's best performance. With subdued delivery and subtle looks she conveys a wealth of background into both who she is and the history of the entire family's dynamic. It's a wise choice, if she had fluttered and extrapolated as Page's Carrie does the viewer would never be able to make it past the first five minutes of the film.One step removed from a Tennessee Williams chamber piece this will be enjoyed most by fans of his work as well as fans of great acting.

Perhaps this made compelling drama on the stage, but as a film Lillian Hellman's TOYS IN THE ATTIC is not particularly good. Dean Martin is the ne'er do well brother of southern spinsters Wendy Hiller and Geraldine Page. He arrives home with child-like bride Yvette Mimieux and all hell breaks loose. Martin's involved in some shady real estate dealings along with the wife of a local land baron. Director George Roy Hill moves things along swiftly (it's a very brief movie) but it's simply not very involving and the acting is really odd. Martin is completely out of sync with acting grand dames Page & Hiller and Memieux is just awful. It's tough to tell if it's her or the character, but she's really off-putting. Very studio bound and pretty much devoid of any real style. Gene Tierney has an interesting late career cameo.

When Lillian Hellman wrote this play, I doubt she had Dean Martin in mind for the male lead when it hit the screen. In truth, he isn't bad. He may have been cast to provide some box office. If he did, that's good. He contributes nothing else, however.Similarly, the beautiful Yvette Mimieux is wildly miscast as his insecure wife.Thankfully, much of the other actors are at home in this film and this sort of film. They give good performances.Geraldine Page is in fine form as one of Martin's two spinster sisters. It isn't a subtle performance but it works very well. Wendy Hiller, as the other sister, does give a subtle performance. She is not authentically Southern; but for a good actor that makes no difference. (Think, for starters, Vivian Leigh in "GWTW.") Gene Tierney is also on-hand. Though she'd had a troubled life, she'd matured well. She was never a great actress but she had screen presence and she is right for her part here.I was familiar with the play and wondered if the movie would include its most controversial aspect. (Can't give it away.) To my surprise, it does; and it's very effective.Please note: I have nothing against Dean Martin. He is fun in "Kiss Me Stupid." But he was essentially a singer and comic performer. This movie contains no songs and is anything but comic. Had his and Mimieux's parts been cast more according to the script, the movie could indeed have been extremely, rather than occasionally, powerful.

What genetic combination would produce Geraldine Page, Wendy Hiller and Dino? It's a credit to these two phenomenal actresses that, despite their wildly different features and Ms. Hiller's occasional drop into pure Dame-speak (listen to the way she says "Europe") you never question that they are sisters. Mr. Martin is just a different kind of talent, but acquits himself nicely. (His character's going out and buying sexy negligees for his spinster sisters creeps out the modern viewer somewhat, but perhaps that is intentional.) Yvette Mimieux is very appealing (her role is saned-up a bit from the character in the play, who was even further off the rails) and the camera loves her thick, shiny, butter-blonde hair. If you're a fan of the "Hush, Hush...Sweet Charlotte"/"Kings Row" school of drama, or a Hellmann aficionado, or, like me, someone who'd watch Wendy Hiller in anything from Shakespeare to infomercials, this fast-paced, soundly-made picture is well worth the rental fee. Heck, if it were out on DVD, I'd buy it.