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The Courtship of Eddie's Father
Although he's only seven, Eddie's got it all figured out. He wants his father, a widower, to get remarried — to the girl next door. Unfortunately, she's not one of the women that his dad's been dating.
Release : | 1963 |
Rating : | 6.8 |
Studio : | Metro-Goldwyn-Mayer, |
Crew : | Art Direction, Art Direction, |
Cast : | Glenn Ford Shirley Jones Stella Stevens Ron Howard Dina Merrill |
Genre : | Drama Comedy Romance Family |
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Waste of time
As Good As It Gets
Exactly the movie you think it is, but not the movie you want it to be.
The film's masterful storytelling did its job. The message was clear. No need to overdo.
Glenn Ford did two films with director Vincente Minnelli, the incredibly bad sound remake of The Four Horseman of the Apocalypse and this very good family film about a widower and his young son trying to get on with life after the wife and mother has passed away.The Courtship of Eddie's Father in addition to being made into a long running television series with Bill Bixby, Miyoshi Umeki, and Brandon Cruz, still holds up very well after 44 years.What makes the film is the very real chemistry between Glenn Ford and Ron Howard who was on hiatus from the Andy Griffith show to make this film. The Courtship of Eddie's Father is about two very real individuals trying to work through the hurt that's surrounding a very big hole in their lives. Ford plays the manager of a radio station and Jerry Van Dyke has a nice role as Ford's best friend and one of the disc jockeys. Roberta Sherwood has the part of the housekeeper who's trying to learn Spanish, the part that Miyoshi Umeki did for television. As you can imagine it was rewritten somewhat.There are three women interested in Ford at one time or another. Shirley Jones is the best friend of the deceased, living in the apartment across the way. Dina Merrill is the society lady that she is in real life. And Stella Stevens is the beauty queen from Montana who's got some hidden talents. One guess who Ford looks like he'll wind up with in the end. Give you a hint, it's the one Ron Howard wishes it is. After the disaster of The Four Horseman of the Apocalypse, Minnelli owed Glenn Ford a good picture and he certainly delivered.
First I need to point out that this movie isn't much like the later TV series. It stars Glenn Ford as a widower raising a young child, played by Ron Howard. While their relationship is loving and sweet, they are both looking for a new wife/mother. And Ron Howard is a little devil trying to set up Dad! I like the kid's taste, though, as he sets his sights first on Stella Stevens and then on Shirley Jones--that kid had great taste! Even though you can easily predict where the movie will end up, the acting and writing and direction are so good that you don't really mind at all. That's because it is sentimental but avoids schmaltzy, gooey over-sentimentalism that could have easily ruined this film--thanks in part to a decent use of comedy.
I saw most of this film again for the first time in years the other day.I then purchased the DVD to catch the ending..and was glad i did. being a fan of Glenn Ford and Shirley Jones as well as "Ronny" Howard i couldn't pass this one up. Glenn Ford's Eddie's Father isn't the same laid back Eddie's Father that Bill Bixby was in the TV series that was based on this movie.His is a bit quirkier and introspective and maybe not as funny and warm but still worth getting to know. The matchmaking that goes on is strictly sixties through and through a formula we have seen time and time again but the hint of Eddie's Father having himself a time while he is out "courting" is as subtle as a man in a chicken suit in church. Ron Howard is as good as ever and although Brandon Cruz who was Eddie in the TV series was a bit warmer Ron Howard's Eddie is a more honest to god kid most of the time,with all the faults that come with being an 8 yr old boy The women in the film..all beautiful all talented all out for Eddie"s father are as you would expect in an early sixties film kind of cardboard cutouts but good on the eyes
Tom Corbett is recently widowed and must raise his son Eddie alone. The film concerns the various women who try to ensnare him as a husband and the way that Eddie controls the process. Corbett is a person completely lacking in emotional depth; he loves his little boy but apparently never physically touches him and is incapable of having a serious discussion with the lad. Neighbor Elizabeth Marten is a divorcee who's a super-efficient volunteer nurse; of course, she's desirable because she doesn't work for a living. On the other hand, Rita Behrens seems willing to marry Tom, although their relationship is totally lacking in chemistry. Rita backs off because Eddie can't stand her and Tom won't ship Eddie off to relatives. Rita is a working woman and, for that reason, is obviously unsuitable as a wife and stepmother. The movie is almost totally unfunny and emotionally unengaging. Its sexual politics and stereotypes are deplorable (although perhaps not remarkable for 1963). It just so happens that men can be affectionate and engaged fathers and that working women can be loving partners and terrific stepmoms.