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I don't have all the words right now but this film is a work of art.

Brilliant and touching

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

There's something very comforting for me about watching Christopher Lambert in the nineties sci-fi/action movie 'Fortress.' It's like revisiting an old friend in a comfortable environment. Yes, it's fair to say that anyone who was basically in their early teenage years of watching films would find this film particularly deep and thought provoking (like I did at the time). Now, over twenty years (and several thousand) films later, my cynical and jaded eyes see it for what it is – a load of nonsense (but kind of good fun nonsense if you're in the mood).Sometime in the near future pregnancies are controlled and anyone having a child without government approval (or something) is imprisoned in the most hellish of judicial facilities imaginable. The opening scene shows us Christopher Lambert and his pregnant wife attempting to flee the country, but getting caught in the process. Guess where they end up? The titular 'Fortress' is a prison (tower) buried under the ground in the desert where escape is 'impossible' (yeah, in the same way that 'no one' had ever won 'The Running Man' until Arnie had a go).Once imprisoned, Lambert is subjected to all the usual prison movie tropes, including clichéd cellmates, aggressive bully-type alpha-male prisoners and – of course – the fascist warden in charge, this time played by Kurtwood Smith (or that-baddie-in-Robocop to most of us). Whereas most of the film is pretty run-of-the-mill, Kurtwood does his best to turn in a pretty sinister and menacing performance. Of course there are some pretty big stretches in the plot which are designed to further the story rather than be realistic. These are things like the warden just so happening to fall in love with Lambert's wife (like our hero needed any extra excuses for hating the man in charge of the barbaric facility).The sets are pretty bland. In fact, the sets are sets – pure and simple. Grey walls with people wandering around in orange jumpsuits. The special effects aren't that special and the dialogue is a bit corny here and there. All in all, it's probably not the greatest of films and it's no wonder that it's been pretty much forgotten compared to the classic action films of the decade. And yet, I stand by my original statement. Watching 'Fortress' takes me back to my childhood, so, yes, a lot of my appreciation of this film stems from my nostalgia of the era. It's a simple film from a simpler time.I doubt it would hold up today against the current crop of action movies. It wasn't much more than a 'straight-to-video' affair back in its day, but, like I say, if you're looking for a slightly dated, more simple action movie then this one is worth a watch if you feel like wasting an hour and a half. The deeper meaning I may have once seen has long since been painted over by clichés and cheesy nonsense, but I like that sort of thing.

Imagine a version of those classic prison movies - PAPILLON, THE GREAT ESCAPE, THE SHAWSHANK REDEMPTION - updated violently into a futuristic setting and what you'll have is FORTRESS, a gung-ho ride full to the brim of action. And it's a blast. The feel of the film is very similar to that of TOTAL RECALL, and the pair are almost companion pieces. While relatively low budget, the film has something rarely seen these days - imagination! What makes the film so enjoyable to horror aficionados is firstly the talent involved, and secondly the level of extreme violence which certainly spices up the action. Since when did you see one of the prisoners in THE GREAT ESCAPE have his stomach blown out? Christopher Lambert will never win any awards for acting but he is a solid enough presence as the film's hero and his wooden acting is on par with other luminaries like Arnold Schwarzenegger or Doug McClure, how we love them all. And really he is given little to do except fight one thing after another, which of course he does with relish.Locklin brings warmth and compassion to the film as his wife and shows probably the best acting in the entire film, but since when did we watch these kinds of films for acting anyway? Kurtwood Smith steals the overacting awards as the oily prison head, strangely his toupee makes him look years younger. Although this isn't the nastiest, best performance of his career (that honour goes to ROBOCOP), he makes for a compassionate villain, a man with a longing for love.A motley bunch make up Lambert's cellmates, which include a wise old black guy, Tom Towles (the NIGHT OF THE LIVING DEAD remake) bringing cult value as a brutal thug type, while horror star Jeffrey Combs is virtually unrecognisable underneath thick glasses and long hair. Still, it's not really the acting talent that makes this film so enjoyable, or the plot, which is as I said is merely an updated version of the old escape films. The set design is excellent, and the various mechanical hazards, including the roving cameras and laser beams, the psychedelic dream sequences and also the androids, while tacky, are all great fun. Weirdness prevails when an android's helmet is removed, revealing the rubbery, half-human face underneath! The main gore highlights are the intestinators, kind of like an updated ALIEN chestburster for the 1990s, and they are literally showstoppers. We haven't seen this kind of gut busting since the cheapo days of CONTAMINATION! Added to this are a man who has his chest literally blown out, an extraordinarily bloody fight scene (probably the bloodiest I've ever witnessed on screen, as people's heads are smashed into walls, bars, etc. and spray and pour blood like a low-rent Bruce Willis from the DIE HARD series), a man ripping out his own eyes, and lots of shooting and chests erupting with bullet holes.The bookend to the film, a pyrotechnic stunt involving an exploding truck, is also done very well. FORTRESS certainly was never likely to win any Oscars, but the non-stop action, cheesy dialogue and inventive situations, all presided over by steadfast direction from Stuart Gordon (RE-ANIMATOR), make this one hell of a bloody roller-coaster ride. The prison movie to end all prison movies in the cheesy B-movie fan's mind.

This is not a great work of art but it is a great work of popcorn eating genre watching. Everyman against evil corporation in a scary future.Shades of Margaret Atwood for those who might not know who she is. ["The Handmaid's Tale is worth reading or watching -- it is quite readable Atwood, the film pretty good too.] The film should not be confused with a lesser known foreign genre flick by the same name about a schoolteacher trying to escape a different kind of danger with her school children. Again, both the film and book is worthwhile.Anyway, so, a man (Christopher Lambert, perfect genre everyman) has to escape from a prison to save his wife with the help of the likes of Jeffrey Combs (taking a break from trying to bring things to life) against the evil Kurtwood Smith (of course!). Great for late night viewing. Don't take too seriously!

I have always enjoyed watching "Fortress", no matter how bad the actual movie is. And that is of course also exactly what these type of movies got made for; to bring some mindless entertainment.The movie in itself is still pretty bad though. The story is quite ridicules and filled with some highly unlikely moments and plot-holes. I mean really, if this is supposed to be a future thought out and created to perfection, it should be back to the drawing boards for the scientists and world leaders, who came up with this stuff and laws.It was still a pretty awesome movie to watch when it came out. All of the effects and sets were pretty decent looking for its time and they helped to give this movie a real futuristic feeling, though when you watch it now it all mostly is being ridicules. It got made back in the days when Christopher Lambert was still quite a big name in the business. This movie got really made as a vehicle for him, as the main action-hero of the movie. He just isn't the most compelling actor that ever lived. Kurtwood Smith is the main villain of the movie and he did a pretty decent job with restraining himself to not go over-the-top with his character, like probably a lot of other actors would had done. The movie also has some other decent actors in it, that fits their roles fine, such as for instance Jeffrey Combs, Lincoln Kilpatrick and Vernon Wells.The story and its storytelling are at times really quite messy and bad but when you can look all past that, "Fortress" is still some good mindless fun for you.5/10http://bobafett1138.blogspot.com/