Watch The Clan For Free

Don't listen to the Hype. It's awful

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

The best films of this genre always show a path and provide a takeaway for being a better person.

One of the worst ways to make a cult movie is to set out to make a cult movie.

After the fall of General Galtieri in 1980's Argentina; some of the old guard did not accept that democracy and law and order were here to stay. They wanted the old ways back and the money that went hand in hand with corruption. The Puccio family was ahead of the pack, the patriarch was one Arquimedes Puccio played by the ever reliable Guillermo Francella ('The Secret in their eyes') and he led his whole family and a gang in kidnap torture and extortion. His middle son was Alex who was a rising star in Rugby Union and his eldest brother had already done the same but had side stepped the family and escaped to New Zealand. However many hands do make light work and so Arquimedes went out of his way to ensure as many of the Clan as possible were 'hands on'.Now this is based on a real story and it is quite amazing that a modern country could allow such atrocities to take place – but that is the way of the World with criminals everywhere. The film itself is Argentina's biggest earner ever and you can see why. The acting is all great as is the period detail. It jumps around from past to present etc but that is easy to follow. There are some upsetting scenes but the nasty stuff is mostly played down. This is a film that you may get more from on a second viewing but either way it is most certainly worth seeing at least once.

-The Clan (Spanish: El Clan) is a 2015 Argentine crime film directed by Pablo Trapero. It was selected to be screened in the main competition section of the 72nd Venice International Film Festival where director Pablo Trapero won the Silver Lion. The film was selected as the Argentine entry for the Best Foreign Language Film at the 88th Academy Awards but it was not nominated.--Reception: -The film opened in Argentina on 13 August 2015 to generally positive reviews. It had the largest opening weekend of any Argentinean film in history, with a box office total of 32 million pesos and 505,000 tickets sold between opening Thursday and Sunday, representing 53% of all cinema-goers, seven times more than the second most viewed film, Ted 2. This surpassed the previous record of the 2014 film Wild Tales. According to BBC News, 1.5 million people saw the film in its first two weeks of release.-The film was screened at the Venice Film Festival and Toronto Film Festival in September 2015. Both Variety and The Hollywood Reporter singled out the arresting sound track in their reviews; Variety called the choice of music "among the film's most unnerving strategies, reminiscent of Spike Lee's Summer of Sam, in which celebratory pop tunes evoke the era even as they practically serve to encourage the horrors depicted on screen"; The Hollywood Reporter noted that the "loud, upbeat songs ... provide a counterpoint ... (suggesting) how kidnapping became simply a part of life for the Puccios. It's never clearer than in a daring montage sequence that matches Monica's cries of ecstasy during a bout of lovemaking with the cries for help of a kidnapping victim in the family's home. For these folks, there seems to be a mighty fine line between love and cruelty".-The success of the film led to a TV series that is also focused on the Puccio family, Historia de un clan, starring Alejandro Awada.

Few years after the dictatorship in Argentina by Rafael Videla is overthrown, the remaining members of that military order begin a life of crime, using as an excuse that the Argentinians sold the country and pushed the patriots into catastrophe. At this time in history, is where the story of Arquímides Puccio (Guillermo Franchella) and his family take place. Puccio is an old retired military who starts kidnapping rich youngsters not just for the money, but to satisfy an evil mind that wants suffering. However, his five children, Alejandro (Peter Lanzani), Maguila (Gastón Cocchiarale), Silvia (Giselle Motta), Adriana (Antonia Bengoechea) and Guillermo (Franco Masini), are the ones who end up with the biggest sorrow. This brilliant movie is not a conventional crime thriller, it also explores the psychological illness of all the members in this family caused by the oppressing voice of Puccio's patriarchy. Alejandro, the brilliant and successful eldest child, is the connection between us and the pain inside the characters. The narrative of the story begins by the end, and so it goes interchanging present and future, until they collide in a sublime climax when all the feelings and thoughts of the children explode. Each one of the characters, even though they were real, are so astoundingly designed that you can feel the hate of the father; the indifference of the mother; the rage, the fear and even the love of the children. Another remarkable aspect of this movie is the BSO, featuring an accurate selection between The Kinks, Credence Clearwater Revival, and Argentinian rock of the 80's like Seru Giran and Virus. This is also a portrait of the post-dictatorship era as a fictional interpretation of the feelings of an old retired military, his new war, and his new army: his family.

The film hits from the real and moves the focus on one of the children who suffer most acts of his father, who embodies a sober Franchella that has long been demonstrating his talent for drama also. Format images first constant level remains stuck at viewer will not regret it in the film, which will feel some concern that under the aspects of normalcy can hide eyesores, this very well managed by the principal. I did not like the supporting performances and the appearance of the wife could have been more widespread. Compared to other good films of Argentine cinema may have lacked artistic details that make it more blockbuster, but certainly is a creation that will be a very good story in a story that is surprising.