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Overrated

Highly Overrated But Still Good

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

This is a gorgeous movie made by a gorgeous spirit.

Anyone interested in documentary about war should see this effort from Janus Metz. In the tradition of best cinéma vérité, Metz has produced one of the best, because it concentrates on the most important aspect: men in war, and how they behave. In doing so, Metz presents a harrowing story, the like of which we would see only in fictional war movies at the local cinema. In fact, the whole production is done so professionally, you could easily think you're watching a fiction war movie anyway - like Brothers (2004, Danish; 2009, American), set in Afghanistan, and about what men do to survive. In the last third of Armadillo, there are solid echoes of Full Metal Jacket (1987) when the Danish patrol is ambushed by Taliban snipers - think of those scenes in FMJ where the American soldiers are hunting for the lone Vietcong sniper in the bombed-out ruins of Hue - only this story is real, all too real, bullets are flashing past the cameras, men are diving for cover, cameras are sent askew - and you hold your breath as the patrol carries on, searching, dodging, men calling to each other.... By the time that search and destroy mission is complete, the viewer could well be sweating, s/he might even feel sick to the stomach, some might feel revulsion, others will be totally enraged, still others would cheer. Finally, the phlegmatic cynics out there would shrug their shoulders, open another can of beer and make a crack that "Sh*t happens, buddy! Git over it." Those sorts of reactions occurred in Demark when Armadillo was released to cinemas there. And for good reason.For this viewer, the best aspect of the actual production is the total lack of any narration or interviewing by any of the production crew. Watching the Danes at rest, eating, at play and in action provides the best fly-on-the-wall experience I've ever experienced in cinema, bar none. Crucially, also, the production crew makes no implicit or explicit judgment of what transpires during the skirmish to neutralize the Taliban snipers. Close-ups of grunts' faces, after the battle, say it all.The direction and editing throughout are exceptionally well done - astonishing, even, given the mise en scène. The sound work is crystal clear. Together with a soundtrack that fits seamlessly with the story, I'd urge any viewer interested in documentary production to see this effort - as soon as possible. And, for all those who dislike sub-titles: make an exception, this time.Recommended for adults. Give this my best: nine out of ten. Don't miss it.May 8th, 2015

Well, this film is not bad. Really not bad. But that's not what I expected to this kind of film.Consider this film as a journey book of a danish advanced military base.It does not contain much action, emotion or anything but it shows things as they are.Action movie lovers will be disappointed, but army fans will like the honesty behind it.This film can give emotions if you engaged to army or if someone of your family did. But that's kinda all.

"Is there any man here that does not know that the seed of war in the modern world is industrial and commercial rivalry?" – Woodrow Wilson"Armadillo" documents the lives of Danish soldiers stationed at Helmand Province, Afghanistan. It purports to be an "objective" and "non partisan" war documentary, but this is not true.The film introduces us to a group of young soldiers days before they're shipped off to Afghanistan. Though they all have different faces, their motivations are largely the same; they view war as a rights of passage, a chance to define themselves, prove their manhood, go on an adventure and do "something important". These are trivial reasons to enlist, but the military has always been a cultic institution, preying on the anxieties and insecurities of the young.In typical war movie fashion, the rest of the film alternates between moments of downtime, and moments of tense, adrenaline pumping violence. At the end of the film, the Danish soldiers kill several Taliban soldiers. Later they discuss whether or not these murders were justified. Yes, they decide. End film."Armadillo" pretends to be apolitical, but the very act of avoiding all context is itself a firm ideological stance. Ignored is the fact that the Taliban have been deliberately dehumanised by the West for a number of decades. They are painted as irrational fanatics, bearded extremists, and terrorists. This, of course, paves the way for aggression, military operations, and genocide, all of which are waged under the guise of collective self-defence. Killing the Taliban is then celebrated as a legal virtue. To leave the Taliban in control of Afghanistan, says the US and NATO, is to leave a haven for terrorism.Yet before 9/11, these same "terrorists" were Washington's close allies. They were funded, supported and hailed as "freedom fighters" who with "our help" would be able to fend off the Soviet Union, whom the American public were told sought to destroy Afghanistan. Under the pretext that the Afghan government was a Soviet puppet, which was false, the then Carter Administration authorised the covert funding of oppositional tribal groups. These groups were armed and trained in secret camps set up in Pakistan by the CIA. Thus was born "mujaheddin", a campaign of terror which resulted in the Afghan government in Kabul requesting the help of the Soviet Union, resulting in an ill-fated military intervention which ended ten years later with the retreat of Soviet forces and the descent of Afghanistan into an abyss of religious intolerance, poverty, warlordism and violence. Contrary to "official history", the mujaheddin did not arise in response to a hostile Soviet invasion of Afghanistan. The Soviet Union intervened at the request of the Afghan government in response to the instability being wrought by a Western funded and armed insurgency. See Nicaragua, Syria, Iraq, Libya etc.After 9/11, Washington then turned against the very "allies" they supported, a pattern which we find occurring throughout history. Think the West's funding of Saddam Hussein against Iran, prior to sweeping in and wiping him out decades later. In the case of the Taliban, the justification for their newfound status as "our enemies" became their supposed links to the WTC attacks and their sudden "oppression of women". In reality the Taliban had nothing to do with 9/11, and were the White House concerned about women's rights they wouldn't be close allies with countless other counties, most notably Saudi Arabia and Pakistan, both of which practise an "Islamic Law" akin to the Taliban. The real reason for Washington's change of stance toward Afghanistan is this. During the mid 1990s several mega corporations began to seduce the Taliban, all seeking the granting of mineral rights. Eventually the deal came down to a handful of corporations, the Unocal-CentGas consortium (which later "became" Chevron, and which has ties to the Bush family and Dick Cheney) and Bridas (an Argentine company). While negotiations were underway, Bridas found a partner in gas giant Amoco and Amoco itself went on to merge with British Petroleum. Throw in the fact that Gazprom, a Russian gas company, pulled out of the Unocal-CentGas consortium and that Unocol's proposed pipeline was closed to Afghanistan, whilst that proposed by Bridas would also service the local market, and it looked likely that the Taliban would strike business deals with Bridas. In response, Unocal and its lackeys stepped up their game. Their Vice President of International Relations appeared before the US Congress in February 1998, calling for the removal of the Taliban regime. The Taliban themselves were issued an ultimatum: take our offer or we drop the bombs. Meanwhile, cue the Clinton administration's sudden concern about "human right violations" in Afghanistan, the seizing of all US-held Taliban assets, the placement of trade bans, and the calling for the "surrender of Bin Laden". In other words, it was only when absolute control of oil was challenged that the Taliban regime was openly discredited. Although the Taliban continued to offer negotiations on the handover of Osama bin Laden, the atrocities of 9/11 gave Washington oil policies a convenient new all-inclusive justification. Oil motivations, never a popular foreign-policy justification, could now be submerged within a primal response to a deep-seated national combination of fear, loathing and outrage.Incidentally, drug trafficking constitutes the third biggest global commodity after oil and the arms trade. Afghanistan produces 92 percent of the world's opium, the profits of which are laundered back to the West or channelled toward corrupt chieftains and locals. The longer the war can be prolonged, the more these 3 industries profit. Unsurprisingly, most of the major White House players during this era were affiliated with oil companies active in Central Asia (Condolezza Rice, Bush, Zalmay Khalilzad, Hamid Karzai, Cheney, Donald Evans, Gale Norton, Spencer Abraham, Thomas White etc). 4/10 – Says nothing you can't learn from a video game.

As the wars in Iraq and Afghanistan have dragged on they have produced an increasing number of provocative war documentaries that have shattered many of the myths about the black-and-white absolutes of war that have often been sold to those on the home front. Armadillo, which screened this week at Austin's SXSW Film Festival, is one of the best films yet produced about the reality of life during a war. The film follows a Danish unit assigned to Helmand Provence in Afghanistan during a 6 months tour. The filmmakers hold nothing back in this intimate portrait of soldiers at war. They present a picture of young men who seem to lose their humanity in the brutal circumstances of war. The visceral picture of combat is harrowing and the filmmakers should be commended for what they have captured on film.Americans need to see films like Armadillo as they contemplate why we are in Afghanistan. A film like Armadillo makes us ask ourselves if this war worth the human cost that we are paying and what it is doing to the soldiers that we are sending to fight these wars. The film has caused considerable controversy in Denmark. We need more films like it to bring this controversy to highly complacent America.