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I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

An all too familiar story in our world: A professor with too much time on his hands plots a diamond heist and enlists the help of a New York mobster and a team of nefarious experts who's specialties run the spectrum of various prerequisites for daring jewel capers, such as safe-cracking, etc. No surprises here- although one member of the team is a professional playboy- and are there really such things? How does one earn the title of playboy?- who's only job is to seduce the icy secretary with the key to the vault! You'll probably see the twist coming but they keep their cards close to the vest so there's still a tinge of surprise at the end. Fans of Kinski will not find a heck of a lot to snicker about as they watch their favorite crazy-friend-of- Herzog plod through another flick he probably just did for money. While Kinski isn't quite plausible as a hardened military man, he does a pretty fine, straight job in this role. Good times, all around.

I would be difficult for me to say enough good things about this movie. The Itallians came make a movie like no one else. This is a very stylistic heist movie. It co-stars the b movie hero, Klaus Kinski. The score was done by Ennio Morricone. What more could you ask for? This is truly outstanding example of the Itallian crime sub-genre. All the elements that make a movie of this type entertaining are present in spades: over the top schemes, gadgets, one-liners, and car chases. I have heard many of Enni Morricone's scores, but the opening piece is one of his best. Over the past few years, Blue Underground re-released some great, obscure movies. Watch this.

Released in the USA by Paramount as GRAND SLAM in the late sixties, this slickly-made heist film is a first-rate effort exploiting the Jules Dassin classic, RIFIFI. The all-star international cast is exceptional, with Klaus Kinski being the standout. One of the best of it's kind, and still enjoyable today. Ennio Morricone wrote the eclectic score, featuring some catchy bossa-nova tunes to complement the location. Thanks to Image Entertainment, the picture is now available on DVD in a widescreen version to capture all the excitement! Check it out.

This is a truly great caper in the RIFIFI tradition, with plenty of twists and surprises, spectacularly high-tech (for its day) action set pieces and glamorous location work in Rio de Janeiro, Rome and around the world. Many other capers since THE GRAND SLAM have borrowed shamelessly from it -- ENTRAPMENT being the latest that springs to mind -- but, trust me, this one did it better than the rest all the way to its uncompromising, un-Hollywood ending. This is the one to catch if it's ever around again!