Watch The Noose Hangs High For Free

Good movie but grossly overrated

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

An old-fashioned movie made with new-fashioned finesse.

Associate producers: Lolly Cristillo, Shirley Feld. Producer: Charles Barton. Executive producers: Bud Abbott, Lou Costello. Copyright 4 March 1948 by Pathé Industries, Inc. Presented by Eagle Lion Films. New York opening at Loew's State: 28 May 1948. U.S. release: 17 April 1948. U.K. release through Universal- International/General Film Distributors: 6 December 1948. Australian release through British Empire Films: 1 December 1949 (sic). 7,139 feet. 79 minutes.SYNOPSIS: Lou manages to lose $50,000. The money belongs to a bookie (Calleia) who needs it to pay off a winning wager from a gambler named McBride (Errol).NOTES: A new contract signed by Abbott and Costello with Universal- International, allowed the team to make one independent movie a year. This was the first.COMMENT: This mild Abbott and Costello entry will delight their rabid fans but leave others feeling short-changed. The initial plot gimmick of running down 800 names would seem to offer some promise for amusing comic variations, but this issue is speedily resolved. Instead, the writers offer six or seven wheezy old vaudeville routines, including Try To Get Thrown into Jail, Dress/Undress, Fodder/Mudder, I Don't Like Mustard, Who's on the Phone and Someplace Else. Oddly, Abbott doesn't partner Costello in all these variations. Leon Errol plays straight man for Lou in Fodder/Mudder (and also teams with Lou for an hilarious game of billiards), whilst Abbott works Mike Mazurki for the first part of Someplace Else and then Costello, would you believe, takes over as straight man? But he doesn't stop at Someplace Else. He also usurps Abbott from Who's on the Phone in which Joseph Calleia (of all people) plays the victim. Both Errol and Costello do extremely well. Abbott, on the other hand, is so nastily aggressive in the long-winded Mustard routine, he loses all audience sympathy. In fact, in this instance he consistently displays a mean, persuasively spiteful streak that goes well beyond the customary cowardly bullying of the team's usual routines. Fortunately, as said, Leon Errol picks up a lot of the slack, whilst Cathy Downs makes an attractive heroine. Direction and other credits are competent but nothing special.A SECOND VIEW: Aside from the opening sequences with the sore tooth chase through various back yards, the foot in the bucket on the window ledge and the follow-up scene in the dentist's office, the humor is mainly verbal with the comedians (counting Mike Mazurki and Joseph Calleia, there are five of them) exhausting some elaborate routines based on the weakest of puns (often in extremely long takes). Although he figures in the action a great deal, Leon Errol, for once, is charmingly restrained. Perhaps, like us, he was unsure of the character's motivation (is he just lucky or is he really a plain nut?) and wisely decided to play it safe. The support cast is studded with favorite faces, almost all of them not credited, except for Fritz Feld. whose part is one of the smallest.

Having recently watched "The Noose Hangs High" for the first time in probably 25 years I was delighted to find it extremely funny. Having grown up watching Abbott & Costello on Sunday mornings I have subliminally memorized many of their movies in the deep recesses of my brain. While the gags from this movie kept coming back to me seconds before they actually happened I found myself laughing out loud and enjoying this film thoroughly. "Noose" is essentially a series of gags held together by the flimsiest of plots. The boys run afoul of gangster Nick Craig and must return the $50,000 Lou has misplaced or else. In the midst of this A&C manage to shoehorn in many of their most famous routines; all of which are well-known to their fans but within this film they are done with such gusto that one overlooks their familiarity. The film also dispenses with the insufferable romantic subplots that derail many of their films and the annoying musical numbers that further slow down the story. Cathy Downs, who portrayed the title character in John Ford's "My Darling Clementine," adds a touch of feminine interest but doesn't bog the proceedings down. Two standout sequences for me were the dentist scene and the scene where Lou gets attacked by an automobile. At the beginning of the film Lou has a toothache and finds himself in the chair of nearsighted dentist Murray Leonard, who portrayed the wacky prisoner tormenting Costello with the "Slowly I Turned . . ." bit in "Lost In a Harem." The scene is so fresh and spontaneous I defy anyone not to laugh. And watching Costello tangle with the unruly car nearly had me in stitches. Besides A&C, who are superb, the supporting cast is very strong. Joseph Calleia as Craig is both menacing and hilarious minus his trademark mustache. Leon Errol, whom I find annoying in almost everything, is actual entertaining as a goofy gambler that never loses. And Mike Mazurki is really hilarious in a scene where he gets scammed out of $10 first by Bud and then Lou. He stumbles over some words in his exchanges with the fast- talking Costello but this only adds to the humor. A pleasant surprise, "The Noose Hangs High" is a delightful film that is superior to anything the boys did after 1946 with the possible exception of their classic rumble with the Universal monsters in "Meet Frankenstein."

I love Bud and Lou but I hate their feature films - except this one! All the stuff they did for Universal had them playing 2nd banana to some two-bit love situation. Donald Curtis, Dick Foran - who cares! I watched A&C for THEM! - not some grade Z romantic comedy with them occasionally stepping in for comic relief! "Noose" is obviously what their TV series pulled from. The boys doing all their shticks from their vaudeville days - and it works...BOY does it work! I loved their TV series because it was just THEM and they were unencumbered by the external plot devices! "Noose" is, in my humble opinion, their best film.

While many A&C fans rate "Meet Frankenstein" as their favorite, Abbott & Costello's 1948 MGM effort, "The Noose Hangs High" is mine.This highly polished gem of a motion picture presents Bud and Lou with a tightly written script. Granted it is a little far-fetched at times, and the boys sure dress well for a couple of window washers. And how Cathy Downs, as a servant, could spend almost $50,000 in one day (in 1948 no less), is incredible.What really makes the film enjoyable is the boys' superb comedic timing. The last routine of the movie, which incorporates "Bore a Hole in the Wall", "Mustard", and "Marry a Little Girl", is the epitome of their career. Bud truly shows why he was known as the greatest straight-man of all time. Earlier in the flick, when Mike Mazurki starts to stumble through the "You're Not Here" bit, Lou's timing pulls the routine through.Being an MGM movie, the production values are a few notches better than the Universal films. "Noose" also doesn't appear on any of the A&C compilations either, but it is now available as a single on DVD. By all means, check it out.