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Kiss Me Monster
On an island somewhere in the Caribbean a professor is experimenting with mankind. Meanwhile, The Red Lips are moonlighting on a striptease world tour, but as soon as they hit the stage, the girls are up to their pasties in stiffs, Satanists and Sapphic sadists, all after the professor's secret formula for human clones!
Release : | 1969 |
Rating : | 4.3 |
Studio : | Films Montana, Aquila Film Enterprises, |
Crew : | Art Direction, Art Direction, |
Cast : | Janine Reynaud Rosanna Yanni Chris Howland Michel Lemoine Manolo Otero |
Genre : | Horror Comedy Thriller Science Fiction Mystery |
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Reviews
So much average
Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.
The film may be flawed, but its message is not.
The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
I'm gonna keep this review short and sweet (like the movie).KISS ME MONSTER is nothing but fun. It's campy, it's surely a product of it's time (the late 1960's Europe), and if you like Eurospy spoofs and Jess Franco, you won't really be disappointed here.The plot is whacky, (like it's predecessor, "Two Under Cover Angels", aka "Sadist Erotica"), but this movie really isn't about the plot. What makes it fun is the sharp fast paced witty dialog between the two leads. It comes off almost like a sitcom, paced with a jab or joke almost every other line.So, that's about all there is to it, if you like these kinds of movies, and just want something very light and campy, check it out.
I am a big Fan of Jess Franco, who is, with over 180 films as a director, quite possibly the most prolific filmmaker alive. There is no doubt that the man's impressive repertoire includes some masterpieces ("Miss Muerte", "Venus In Furs"), many highly entertaining flicks and many stinkers ("Sadomania") alike. While "Küss Mich, Monster" of 1969 is certainly not one of the highlights in Franco's career, it is yet a camp and quite fun to watch little spy-spoof that fans of Franco and amusing kitsch in general should enjoy. Even though the film has a certain macabre humor, this is easily one of the tamest films from this highly prolific exploitation director. Of course, the year is 1969, and it is obvious that the film is not gonna be the sleaze-fest that Franco's 70s and 80s productions were. While I did expect 60s sexploitation, however, the film has some kinky parts, but is overall a pretty harmless little black comedy. Janine Reynaud's bared breasts are the most nudity the viewer will get to see in this film, and the violence is also very tame for Franco standards. Yet, this does in no way lessen the film's value as a likable and amusing (if terribly silly) little comedy that should not leave its viewers bored. This is a sequel to the (supposedly better) "Rote Lippen, Sadisterotica" from the same year. It follows two sexy female spies, Diana (Janine Reynaud) and Regina (Rosanna Yanni), on their investigations, which mainly include flirtations, skimpy outfits, eccentric villains and bizarre situations. This is certainly no highlight of any sort, but camp humor and the sexy female cast make it a worthwhile time-waster. Recommended to my fellow Jess Franco fans.
I'm not sure how to describe a non-existent plot, but I'll give it a try. Two women, posing as a nightclub act, go to an island to investigate something. Everywhere they go, people (I have no idea who these people are) end up dying - sometimes stabbed in the back while in mid-sentence. Of course there's no sign of the killer. Eventually, I think they find whatever it is they're looking for because there is much rejoicing.This movie is BAD. And, I don't mean bad in a way that can be enjoyable to make fun of. This is the kind of put-you-to-sleep-because-it-makes-no-sense bad. I got the impression that the story was being written at night on cocktail napkins for the next day's shoot. It's the only way I can explain it because I can't imagine anyone sitting down and writing something this bad unless they were drunk (either that or it was written by monkeys). I defy anyone to watch this movie and tell me exactly what's going on.I'm not giving it a 1/10 because it does have a couple of redeeming qualities. What they are escapes me at the moment, but I distinctly remember enjoying at least one scene - it may have been a shot of palm trees. Plus, believe it or not, I've seen much worse.
Anyone with a super-8 camera (with bad dub added later), various luxurious sets, several tiny Euro-Convertibles, a few long-legged call-girls in mini-skirts, several cute college guys, and a few hours to blow, could have made this film, and probably done a better job.The story appears to be made up as they go. A team of "stewardess-like" knock-outs in cool (skin-tight) outfits are on to some spy stuff, people get murdered wherever they show up, all of which is handled with total calm and matter-of-factness. Oops, a man just got stabbed as he's giving a clue (I wish I had received a clue, but no such luck). One more dead, better get out our costumes and into something else. The mad scientists's wife is dead! Oh my! What now? On with the mindless plot, and on, and on, and on.This isn't "camp" it's TORTURE! Absolutely awful! Suddenly the films made by Edd Wood look like masterpieces. Give me "Refer Madness", "Pink Flamingos" or "Plan 9 From Outer Space". "Kiss Me Monster" all of a sudden has no equal as the absolute worst film ever made. I've seen a lot of movies, but this one needs to be pulverized and sent into Outer Space, it's THAT BAD!