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Must See Movie...

Best movie ever!

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

The House That Vanished (1973) ** 1/2 (out of 4)Model Valerie (Andrea Allan) is with her rather worthless boyfriend as they drive around in the fog. They come upon a house and the boyfriend goes inside to steal from it but soon the two of them witness a murder. The next day Valerie manages to get back home but she hasn't heard from her boyfriend and she fears that he's dead so with the help from a friend she tries to track down that mysterious house.José Ramón Larraz's THE HOUSE THAT VANISHED is a film that seems to be remembered thanks in large part to its American promotional material. The trailer and poster of the film played off the same tagline (It's Only a Movie... It's Only a Movie...) that made Wes Craven's THE LAST HOUSE ON THE LEFT a hit. The promotional material on this film is quite impressive and it's clear that it worked because the film gained a cult following despite the fact that it's really not that good.There are some good things to be found here with one of them being the atmosphere. I thought the director did a nice job at building up a rather sinister atmosphere and this here was without question the highlight of the picture. Another nice thing was the fog and its thickness as the couple drive through it. I thought these scenes were rather effective and the idea of a house being hidden by the fog was something I liked. I also thought Allan was quite attractive and helped keep you somewhat glued to the film.As far as the rest goes, it's pretty bad. The worst thing about the film and what eventually kills it is the fact that the pacing was just awful. The film has a very slow pace, which is fine if you're able to capture some sort of slow-burn but that's not what happens here. The film continues to grow more and more boring as it comes to an end and what's worse is the fact that it's really not too hard to figure out who the killer is. We're treated to some bloody violence and plenty of nudity but this here can't stop the boring feeling.THE HOUSE THAT VANISHED wasn't as awful as some make it out to be but there's no question that the atmosphere was wasted.

'Scream and Die!' is another woefully obscure Jose Ramon Larraz horror excursion from the early 70's that is entirely undeserving of its current position of lost title. All the requisite Larraz traits are in abundance here; libidinous, scantily clad buxom women, creaky, dimly lit houses and some elusive sexually 'unusual' maniac knocking off a series of shrieking, top-heavy females. The basic giallo-esque plot of some black-gloved killer doesn't stray from convention, but where Larraz succeeds and many other similar filmmakers fail is that he always manages to generate a palpably erotic and decadent tone among all the familiar heavy breathing stalk and slash; besides the abundance of candle-lit cleavage he also infuses the admittedly generic premise with oodles of genuinely unsettling Gothic motifs. After reading a few glib, dismissive reviews of 'Scream...and Die' I really wasn't expecting much, but contrary to low expectations the film proved to be entirely entertaining with a series of demonstratively eerie set pieces that managed to evoke a sweaty-palmed Poe-like, sepulchral chill.

Valerie and her boyfriend Terry witness a murder in an old abandoned house. They had heard the sound of a car arriving and they hid themselves. A couple had come in. They could only see the girl because He remained always in the shadow. She undressed herself and sat on his lap. Suddenly a switchblade flashes out. She's stabbed to death.Valerie in her panic rushes blindly out of the house. Outside she waits for Terry. He doesn't come. Then she hears footsteps. Again she runs and runs.... Somehow she manages to get home in the morning.In London Valerie goes back to her routine. She tries to contact Terry, be he's disappeared from sight. And worst of all, when Valerie looks out of her window she sees Terry's car parked in front of her house. The killer knows who she is and where she lives! When Valerie speaks with her friends about it, they advise her to not contact the police. After all Terry is a shady dealer, and she could get involved in a very nasty business. But what happened to Terry? Is he still alive? The killer is stalking her, and he will strike again...By the description, you could think that "Scream and Die" is a very suspenseful thriller. But you would be wrong."Scream and Die" (the title is misleading) should be seen by those that like a weird atmosphere: the thick fog that envelops the house when Terry and Valerie arrive there, Valerie's friends and neighbors, the early 70s mood, the subtle and effective soundtrack, and the bizarre! Most viewers will guess from the beginning who the killer is. But that's not really important. I enjoy "Scream and Die" because it's atmospheric and feels natural (characters and environment), but it is at the same time dreamy, and sometimes surreal. The beautiful and delicate Andrea Allan is Valerie. She is a joy to behold! If you like the films of Larraz this is another one to add to your collection

Ah, the house that vanished… This oddball (alternate) title alone was more than enough reason for me to purchase a copy of this obscure and relatively unknown horror flick. But unfortunately, and as the case with too many 70's horror efforts, the title is by far the most exciting aspect about the entire production. This is an unbelievably dull film, stuffed with all the annoying genre-clichés and predictable plot-twist you can possibly think of. During the opening sequences, we follow a young couple – a photo model and her petty thief lover – as they break into an isolated house during a foggy night. There they witness a murder and only the girl manages to escape into the woods surrounding the house. And, in case you wonder, the title is really accurate! When the girl – Valerie – wants to show some of her friends where the murder took place, she can't locate the house anymore! … Like it vanished into thin air! Anyway, life goes on and Valerie falls in love with a strangely introvert boy who has a peculiar affair with his aunt and classical music plays whenever he's on screen. The murderer hasn't forgotten about Valerie yet and all kind of sinister happenings lead her back to the murder-house. The plot sounds sensational on paper, and I'm convinced it could have been really great, but the elaboration is very poor and way too slow. The only things to admire during the tedious middle section of the film are main actress Andrea Allan's good looks and her smoking HOT body. Yes, I am aware this is a shallow remark to make, but her spontaneous stripteases truly are the only moments that hold your attention. Director José Ramón Larrez seems to realize this too, since the amount of sleaze and nudity gradually increases as the film reaches towards its climax. There's very little suspense and the few murder scenes are tame and as good as bloodless. The more than obvious denouement is almost like an insult to trained horror fans.