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The Worst Film Ever

In truth, there is barely enough story here to make a film.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Other Hell, The (1980) 1/2 (out of 4) Nunsploitation flick from Italy is one of the worst I've seen and it's pretty hard not to make killing nuns entertaining. Hack master Bruno Mattai directed this film about a priest who comes to a convent to investigate some strange deaths to nuns. Is it the work of a serial killer or Satan himself? Who gives a damn, really? This film is incredibly dull and lifeless without a single thing going for it. Mattai seemed to forget that films like this, if they're going to be dull, need some nudity to keep it going but we get none. There's not really any gore or violence outside an opening scene where a nun has her vagina removed because it's the doorway to Hell.

Well I would start by saying that this is a bizarre movie, but the sub genre of nunsploitation is entirely bizarre, so that doesn't help you any further. Fact is, however, that Bruno Mattei's "The Other Hell" starts being strange from the very first minute, as a nun randomly dwells through the grisly catacombs of her convent and meets up with a second nun who's in the middle of mutilating a third (and dead) nun's genitalia! We ought to assume that this dead sister was a severe sinner, as the second nun refers to her vagina as "the doorway to hell". Oh, and then suddenly a red-eyed monster appears briefly! Apparently, there are more sinister events going on in this particular convent, as the Vatican appointed young priest Valerio to investigate the strange murders there. Are these nuns possessed by the devil himself or has simply one nun gone on a violent killing spree? This is probably Bruno Mattei's best movie (alongside "Women's Prison Massacre"), but still not on the same quality-level as other contemporary Italian horror. The script is incredibly incoherent, the acting performances are pretty damn lousy and - as usual - Mattei shamelessly copies cool ideas from other movies. That bloody dog-attack, for instance, is obviously inspired by Dario Argento's "Suspiria". Nonetheless, there are a handful of exciting gore-sequences, some twisted dialogues and a remotely suspenseful climax. Luckily Mattei could also rely on another dazzling electrical score by Goblin and some genuinely uncanny set pieces. The prototype nunsploitation-movie (like Joe D'Amato and Jess Franco make them) usually contains a lot of sleaze, brutal whippings and lesbian sex, but (sadly?) you won't find any of that in "The Other Hell". This is an overall entertaining exploitation flick, yet only avid cult-collectors should spend money on the fancy Shriek Show DVD edition. If you like the concept of convent-horror without all the unnecessary sleaze and nudity, I also highly recommend Mariano's Baino's "Dark Waters".

A priest is sent to investigate an outbreak of apparent demonic possession at convent.There is certainly something dark and sinister at work there,but is it really Satan or maybe has it something to do with the Mother Superior's gloomy secrets?"The Other Hell" by Bruno Mattei is an atypical Italian nunsploitation flick.There is absolutely no sex or nudity,still there is a little bit of gore.The film offers some rather tasteless moments like genital mutilation or blood-vomiting nuns.The acting is terrible and the dialogue is stupid,but the film is fast-paced and surprisingly entertaining.So if you like Italian horror films give this one a look.My rating:7 out of 10 and that's being very generous.

This Italian nunsploitation epic has been referred to be a plethora of adjectives, including sleazy, low-grade, and stupid. Perhaps these descriptions fit, but there is definitely some fun to be had for the initiated.Weird, seemingly supernatural events plague a convent, and priest Carlo De Mejo tries to figure it all out. The perverse proceedings start off interestingly, with a nutty nun carving out the uterus of one of her sisters, ranting maniacally about how "the genitals are the doorway to EVIL!" (The first, but thankfully not last, instance of hilarious "shock" dialogue.) This is a Big Moment; the movie contains a number of Big Moments strung together by indifferent, uneventful stretches in which people argue, a creepy gardener lurks about, etc. Often possessing little regard for style or visual creativity, the film ping-pongs between effectiveness and boredom; the high points are memorably bizarre and demented, while the lows will make you seriously consider a nap.The makeup effects range from good (a nun breaking out with stigmata) to atrocious (burn scars resembling plastic vomit). The photography is overly dark and burdened even further with bad color (everything is given a sickly yellow cast, as if they forgot to clean the camera lens). De Mejo isn't very interesting, but Franca Stoppi is marvelously over the top as bitchy Mother Vincenzia. Along the course of the story, elements from a number of more successful films--Carrie, The Exorcist, Rosemary's Baby, Suspiria--are lifted and tossed into the cauldron. On the subject of Suspiria, the one truly high-quality aspect of The Other Hell is Goblin's pounding electronic score.Indeed, this movie is not going to win any prizes, but trashfiends will probably get a kick out of it despite the flaws. If you find naughty nun sinema to be your garbage of choice, this may be the dumpster for you.