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The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

A convoluted but watchable polizia movie from Massimo Dallamano, the man most famous for the sleazy giallo gem WHAT HAVE YOU DONE TO SOLANGE?. This is a plot-heavy film which seems to have been made before frequent fist-fights and car chases became a genre staple (c.f. the extraordinary films made by Umberto Lenzi in the genre), as the action is quite sparse here. Thankfully the sometimes-confusing plot is always twisting and turning to keep you watching and you don't really have time to notice the lack of excitement in the proceedings.There are a few good scenes like when Rassimov has his men take out the bad guys by gunning them down and burying them in a concrete grave, a well-filmed stunt car crash down a desert hill, or the finale in which the two gangs and the police have a massive shoot-out in a warehouse which perhaps inspired some of Tony Scott's movies, which have similar endings. Gotta love the shot of the gangster getting gassed in the oven in a matter-of-fact way too. Strip away the layers of crime and the contemporary setting and what you basically have is another remake of the YOJIMBO plot.Dallamano was always a director who made above-average films for the genres he worked in and this is no exception, with lots of stylish camera angles and crisp cinematography. The film has a nicely international scope which comes across as pretty convincing thanks to location filming in London and Lebanon. The cast are pretty good in their respective roles, good enough to keep you engaged at least. The only minor flaws in my mind are that the dialogue is occasionally clunky and unbelievable (as a result of the dubbing, no doubt) and the surprise twist ending isn't really that surprising after all, given the title. More of a "ah, I knew that was coming" type moment.Cast-wise, exploitation stalwart Ivan Rassimov takes the complicated leading role of Cliff, who underneath it all is a drug enforcement agent. On top he's a charming playboy who has a way with the ladies, but he's also a double-crossing and callous villain out to make himself a profit from all the chaos he creates. Another fine performance from Rassmov, whom I always think is something of an under-valued actor. Italian film veterans Ettore Manni and Giacomo Rossi-Stuart are on hand to lend gravitas to the proceedings and there's even a small role for Camille Keaton. Heaven knows what British comedy stalwart Patricia Hayes is doing in the movie but she's actually quite convincing as chief gangster "Momma Turk"! However, most of the film's attention is rightly focused on the quite captivating appearance of Stephanie Beacham, who has a fairly major role in the movie and spends half of her screen time getting kidnapped and the other half naked in the bedroom! Dallamano obviously had an eye for beauty so gets her to shed her clothing at every available opportunity. SUPER BITCH is a pretty enjoyable time-waster, nothing unique or new here but it does its job well. Once you've got over the initially confusing first half, where it's not really revealed who is who (at least to this viewer), you're able to settle back and enjoy what the film has to offer, which is basically lots of characters deceiving and betraying and battling each other over drug money. Stephanie Beacham (who isn't a bad actress at all) tops it all off and makes everything worthwhile.

Director Massimo Dallamano's 1973 poliziotteschi Super Bitch stars Italian exploitation legend Ivan Rassimov as devious undercover narcotics agent Cliff, who is every bit as corrupt as the drug-runners he is supposed to bring to justice. Cliff manipulates everyone—criminals and cops—to suit his own needs, using whatever means necessary to put the bad-guys out of the picture AND make himself a fortune in the process.To be honest, I had trouble keeping up with all of the intricacies of Super Bitch's storyline: Cliff's Machiavellian scheming gets awfully complex, and with British hottie Stephanie Beacham (as lovely escort girl Joanne, who is worth every penny) shedding her clothes every few minutes, I found my mind wandering quite a bit (especially during that shower scene! Phew!).Thankfully, a thorough understanding of the plot isn't absolutely necessary to have a good time with this nifty little crime thriller. Dallamano's film delivers plenty of fast-paced action, lots of OTT violence (blood squibs-a-plenty), and colourful characters (including a diplomat who likes to dress up as a rabbit, and a family of singing hippie gangsters, led by Patricia Hayes' ruthless crime-boss Mamma), plus more welcome eye-candy in the form of Mamma's sexy daughter Eva (Verna Harvey).Super Bitch also benefits from great location work (Beirut, London, and New York), a wonderfully funky score from Riz Ortolani, and a cool ending in which Cliff's carefully laid plans finally go awry.

I'm not much at home in the poliziotteschi genre, but this was a fun, fast-paced film of international allure, playing in New York, Athens, Paris, Beirut and mostly London, though the filming locations here on IMDb indicate partly differently. Anyway, things start out with loads of action, but for the rest of it, there is only some in the middle and the end.In between there's a lot scheming, blackmail and intimidation to and fro, plus some murders, sexy time, fine female nudity and singing, all performed by a lot of colorful characters, with 'superbitch' taking the lead. The rather dramatic conclusion came as bit of a surprise; what preceded was much exploitation oriented. Add a very nice score by Riz Ortolani as the final icing on the cake, and what we have here is a more than enjoyable crime (/action) flick.Unfortunately I saw a mediocre VHS-rip with English dub, but what the hey; a good 7 out of 10.

Massimo Dallamano is a criminally underrated Italian director, most famous today for "What Have You done to Solange?, one of the very best Italian gialli. But he also directed its equally excellent sequel "What Have They Done to Your Daughters?", the Laura Antonelli erotic classic "Venus in Furs", and "The End of Innocence", one of the better "Emmanuelle" knock-offs. This British-Italian co-production is his only foray into the Italian crime thriller genre that I know of, but it rivals anything by Ferdinand DeLeo or Umbeto Lenzi.The great Ivan Rassimov plays an undercover cop who falls somewhere between a heavy-handed "Dirty Harry"-type rogue and a flat-out corrupt bastard--and by the end he has pretty obliterated the line between the two (if nothing else making this film a lot more honest than the American-style vigilante cop movies). He inserts himself "Yojimbo"/"Fistful of Dollars" style between two hilariously colorful drug-smuggling gangs. One gang runs an escort service which it uses to film powerful men in compromising positions with girls (and boys)and then blackmail them into helping out with the trafficking via a whole Rube Goldberg scheme involving art auctions. This is all totally ridiculous, of course, but highly entertaining. The other gang is lead by "Mama", an old lady (she's supposed to be Turkish, but looks a lot more Italian and even crosses herself at one point), who wields a gun and leads the police on high-speed chases! Her gang are all aspiring musicians, wielding musical instruments as well as guns, and quite literally providing their own theme music. After the gang kidnaps Rassimovs main squeeze (Stephanie Beacham) and tortures her with their music, he responds by kidnapping "Mama's" jailbait daughter (Verna Harvey, who definitely does not dress like a Turkish girl). At the end, another, American gang shows up lead by "Tony Accardo" (which was the name a real-life Chicago gangster at that time).This movie has everything fans love about the genre--crosses and double-crosses, gun-play, high-speed car chases, sadistic brutality, and extreme moral ambiguity. Beacham and Harvey (who had appeared together a few years earlier as governess and charge in Michael Winner's misbegotton "Turn of the Screw" prequel "The Nightcomers") provide some nudity. (Well, so does Rassimov actually, but "Mama" stays dressed at least). There's also a GREAT musical score and the kind of nice cynical 70's ending you'd never get away with today. Highly recommended.