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Raven Hawk
A Native-American woman, who was framed for the murders of her parents years before, returns to her reservation to seek revenge.
Release : | 1996 |
Rating : | 5.1 |
Studio : | HBO, Ron Samuels Productions, |
Crew : | Art Direction, Production Design, |
Cast : | Rachel McLish John Enos III Ed Lauter Matt Clark Michael Champion |
Genre : | Drama Action TV Movie |
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Save your money for something good and enjoyable
A waste of 90 minutes of my life
I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.
"Ravenhawk" turns out to be far better than one might expect of a TV movie. Rachel McLish is wrongly convicted of killing her parents, to the benefit of a large toxic waste recycling plant. Twelve years later she escapes from confinement and unleashes revenge on the villains who set her up. This comes across like a female version of "Rolling Thunder", with McLish instead of William Devane dishing out the punishment. The desert locations are used to full advantage, and there is a nice assortment of stunts. If you would enjoy a buffed female heroine in place of the usual, usual, then seek this one out. I thoroughly enjoyed "Ravenhawk". - MERK
Beautiful southwestern scenery is the only redeeming virtue of this by-the-numbers revenge film. The ecological, pro-Native American theme seems more exploitive veneer than imaginative twist, and the direction lacks suspense or even much of a climax. Acting is dull and unconvincing, though William Atherton is on board to lend his trademarked sneer to the chief villain. There is little more to the plot than "heroine framed for parents murder; heroine kills the real murderers." None of the characters are developed at all, even to the limited extent of an action film. That's too bad, because I was prepared to like this movie, and yes, the scenery was nice.
Spoiler within:This movie happened to be playing on Fox at approximately 3:30 AM. I work third shift, so my sleep schedule is a little messed up. Seeing as how it was on so late/early I didn't expect a gem of a movie. I watched the first 30 minutes and realized, this is NO gem. Here comes the spoiler. After her parents were murdered, they actually convict Rhyia, a 12 year old girl, of committing these murders. Was there no crime scene investigation? I mean, clearly, the father was stabbed by someone completely different! Certainly some fingerprints could have been taken, or perhaps a shred of DNA evidence would have been left behind. Did they even question Rhyia about the crimes? Anyway, besides the first 30 minutes, the rest wasn't any better. It was typical revenge-type cheesiness. If you like horrid one-liners, you're gonna love this!!!-Castle_Rock
Great film. Very underappreciated by those who saw it apparently, but not this viewer. I loved the way this movie starts out, focusing not only on a Native American family standing up for their rights concerning environmental infringement on their reservation, but also giving a glimpse on how contemptuously Native Americans have been treated in this country as well throughout its history. And when the young girl is charged with the murder of her parents, in a crime she clearly did not commit, she quietly awaits the day she can get revenge as well as clear her name. Becoming an introvert in ways she was not necessarily so when the movie began, the girl grows up not only into a beautiful woman, but also one powerfully built as well--hence the former Ms. Olympia Rachel McLish's still-beautiful body figuring nicely into this role. Not only did her muscles serve her well in getting her revenge on those who wronged her, but also for Ms. McLish's stunts as well, which, by the way, were all her own. Just as David Janssen did a lot of his own physical work in "The Fugitive," so did Rachel here also, giving each respective character authenticity in their chases. And if anyone, by the way, loved "The Fugitive"--in either classic television or latter-day movie remake form (and for that matter, "U.S. Marshals, a sequel)--then there's no reason for this film to be bagged at all. Why, there is even a Gerard figure present in this film as well, making things compellingly and interesting. A Fuge ripoff, you may say? Nah. Just another movie doubtlessly inspired by it on one level or another--not unlike many others in its genre which have sprung up after it. Open your minds, check it out and see a woman on the run fighting for her justice for a change--especially one as compelling as Rachel McLish is in this role.