Watch Just Before Dawn For Free

Too much of everything

Highly Overrated But Still Good

Excellent, Without a doubt!!

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

Just Before Dawn is a slasher movie from the early 80s after the successful of Friday the 13th.There nothing to make this movie stand out from others slasher flick release the same year but it still fine movie if you into the genre.A group of 20 years old looking teenagers go camping on mountain unaware of the locals rumor about devil living up there so now they need to pay the price.The built up to the kills is nice there some good cinematography with the mountain view and some suspenseful moment.The characters not annoying but i still don't care about any of them.The kills not over the top or bloody all that much but the deep throat scene near the end might surprise some people

First off, let me say I wasted Halloween movie night by watching this garbage. Second, let me inform you that the current DVD available by Shriek Show is not uncut, so you gore hounds will be very upset. Third, that one scene is the highlight of the film and since it's been cut, well, you see where I'm going.I know a lot of horror fans dig this movie. It is atmospheric, shot in the woods with some very nice scenery, waterfalls and such. But after the opening kill, which has a very brutal shot of a machete being jammed through a hunter's crotch, you get no real brutal kills after that. And, with a slasher movie, you sort of want that. At least, I do. The director and co. do nothing new with the killer in the woods idea, several of this type of movie were all made right around the same time in the very early eighties. The only thing this has going for it is that you don't hate the actors as much as you might in other films. They are sort of likable. The kids have a reason for being there: one of them owns a deed to some property on the mountain. But what is not explained is why his family has property there. There is no cabin or house, so why buy property in East Jesus, especially if you aren't a hunter or whatnot? Well, I'm sure some people do buy land for camping purposes, but that just seems unusual. Anyway, two squealing backwoods inbreds show up and start stalking the campers and picking them off one by one. And, as I said before, you get pretty much nothing in the way of decent deaths after the machete kill in the beginning. The ending has a sort of off the wall kill by Connie, but even that isn't enough to save this from being almost equal with the completely forgettable film, The Forest, which is mind-numbing.If Shriek Show had been able to get a real uncut print, then this review might have been a little more forgiving, but this is the day and age of uncut/unrated DVD releases of old obscure films for cine-hounds like me. When you slight us, you get the crud review. Sadly, the presence of the great fatherly George Kennedy is the only highlight of this movie to set it apart from the other garden variety trash that was churned out back in the day.

Taking its cues from backwoods classics Deliverance and The Texas Chain Saw Massacre, Jeff Lieberman's Just Before Dawn might not offer much very new in terms of plot—a maniac stalks and kills a group of campers—but still manages to be an effective shocker thanks to the director's deft handling of the material, great use of the stunning scenery, even greater use of women in hot-pants, a brooding synth score from Brad Fiedel and a nifty twist towards the end (although one that should be apparent to those who have been paying attention).Thanks to solid performances from its capable cast—including Oscar winner George Kennedy as forest ranger Roy McLean—there is a sense of realism to Just Before Dawn that is all too often missing from this kind of fare. The film also offers a pretty creepy maniac (who sniggers like Dick Dastardly's dog Mutley and uses a nasty serrated machete to kill), and delivers a couple of very imaginative sequences which help lift it above many of its contemporaries: a topless woman (gratuitous nudity box well and truly ticked) in a lake discovers that the hand that has been groping her underwater doesn't belong to her boyfriend; and a shortsighted character makes out with his pal's girlfriend (as a joke), unaware that the person who is slowly approaching is not his friend but the killer.

The mountainous woods, young happy campers, a warning by a park ranger and a lurking figure. The ingredients are there for a horror delight, and director/co-writer Jeff Lieberman does an adequate job at achieving it. It's formulaic woodland horror, but for most part the execution is at the top the game and the story (which is quite basic in a trimmed sense) is effectively told in certain realism. Maybe a little more exposition wouldn't have gone astray, but Lieberman's craftsmanship makes up for the material's flaws and typical details with rising tension, moody visuals and a smothering atmosphere created by Brad Fiedel's very ominously lingering score. Whenever that very creepy whistling was cued in, it painted a truly unnerving sense that settled in with the beautiful backdrop. Cinematographers Dean M. and Joel King do a striking job too. There's plenty of style abound, even with its minimal scope and the build-up is slow grinding. At times the pacing can become a stop-and-go affair. It's not particularly violent, but there's still a mean-streak evident even if some of it happens of screen. The latter chase scenes and escalating fear is well done, as it has the darkness coming alive with itS burly killer/s and you get actor George Kennedy riding his white horse in a slight, but wonderful turn. There's a likable bunch of performances; Deborah Benson makes for a strong, dashing heroine. Gregg Henry, Chris Lemmon Ralph Seymour, Jamie Rose, Mike Kellin and Katie Powell round off a modest cast of believable deliveries. The final climax is rather twisted, but the ending is one of those types that leave you thinking… "Is that it?" A well-etched backwoods slasher item, which probably plays it a little too safe to truly set it apart from the norm.