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The Shape of Things to Come
Planet Earth is a devastated wasteland, and what's left of humanity has colonized the Moon in domed cities. Humanity's continued survival depends on an anti-radiation drug only available on planet Delta Three, which has been taken over by Omus, a brilliant but mad mechanic who places no value on human life. Omus wants to come to the Moon to rule and intends to attack it by ramming robot-controlled spaceships into the domes. Dr. John Caball, his son Jason, Jason's friend, Kim, and a robot named Sparks embark on Caball's space battlecruiser on an unauthorized mission to Delta Three to stop Omus.
Release : | 1979 |
Rating : | 3.2 |
Studio : | CFI Investments, SOTTC Film Productions Ltd., |
Crew : | Art Direction, Assistant Art Director, |
Cast : | Jack Palance Carol Lynley Barry Morse John Ireland Nicholas Campbell |
Genre : | Science Fiction |
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Reviews
I like the storyline of this show,it attract me so much
Good story, Not enough for a whole film
In other words,this film is a surreal ride.
Amazing worth wacthing. So good. Biased but well made with many good points.
The most obvious shortcoming is the silly "Hyperspeed dance"-scene, where the crew twirls around the ship like in a ballet. At the same time there is this failed visual effect where ship is hovering with bubble that I always have failed to realize what it stands for. But don't get me wrong, you will be just as happy as the crew when you have survived the scene.Other minor nuances are the children of earth and the "Robot teleporting" which is randomly seeded throughout the movie. While the robots are quite low-tech visual effects I still find them quite interesting part of the movie. The Sparks has few good observations and doesn't nag stupidly like many of the other machines from the same era of movies. Also I still find the robots of Delta Three very intimidating with their heavy-duty crushing arms with electrocuting fingers.The main cast performs well mostly but I think the villain Omus (Jack Palance) really has all the characteristics to carry such an important role with dignity. Although that dignity will suffer a dent in a hilarious effect fumble at the end of the movie.I would recommend this movie to everyone who doesn't have high prejudice or expectations for visual effects from this era (and can disregard the "hyperspace-ballet")
Yeah I know .. this film hits the fan pretty hard an spray's its cinematic excrement all around as it starts with what looks like a promising beginning (it's what it's promising i didn't like :P).The opening theme is ballsy enough and all to the visual of a big explosion. Should be good right?The start of the film actually looks like it'll be pretty sweet but very quickly you get to understand that this film is going to hurt. DEEEEEP HURTING!!Lazy script writing, bone headed plot devices, boring performances. It's pretty clear that the biggest problem here is that no one .. not the actors, not the crew .. and certainly not he script writer .. knew what film they were trying to make. Everyone's trying pretty hard to look sincere but this was a story that needed about $40,000,000 to tell, and not $3,000,000. Lets look at the good points:Cinematography and editing is pretty solid. At least the camera crew knew what they were doing, and the editor definitely did his best with the material provided.At least there's some familiar faces even if they're not utilized any where near their potential.Ermm ... I guess that's it :P I gotta admit personally I LOVED the music score. It's hard to discern why, it's just got something that I like. I've seen a lot of B movies and most suffer from mediocre music score .. whereas this one I just enjoy listening to that crazy title theme.Bottom Line .. this movie is f***ing awful, but it's one of those kinds of movies you'll love if you're a nut for B movies. It's soon bad that it's positively good. As someone else suggested .. it should be a cult classic for being bad. It's still not as bad as anything that Bert I. Gordon .. or Colman Francis made. And this film totally should have been riffed by MST3K .. I guess the only reason it wasn't was because of licensing rights.You won't be missing anything if you skip this title. But it's awesome for a crap-fest.
The problem with having a legitimate name, like H.G. Wells, is that some people use it to make their work seem legitimate. That is the case with this film. It has nothing to do with the Wells story, and has little story of its own to recommend it.It does have legitimate actors in it and that is what is confusing. Why Oscar winner Jack Palance, and Carol Lynley, of Poseidon Adventure fame, would agree to even read for this movie is beyond understanding. It must have been a lost bet or a tax write off of some sort.Now please understand, I like bad Sfi-Fi movies. I will even recommend "The Giant Claw" just for the silly puppet bird monster. I saw this film, in a theater, on Christmas Eve, when the doorman was feeling in the spirit and let us in for free. It still was not worth the money.Remember, you do not get time wasted back at the end of your life. Do not waste the time seeing this "film."
I too, saw this excuse for a movie in theaters expecting it to be a remake of the 1936 classic. Talk about major lunch-bag let down! The only worth while event of sitting through this insult was listening to the wise-cracks and jocularities coming from the audience. Watching Barry Morse (a fine actor) humiliate himself with contortionistic facial expressions related to an attack of hemorrhoids was laughable! Jack Palance(another fine actor)didn't fair any better with his army of robots looking like walking garbage cans! All in all a complete waste of time. Possibly twenty years from now this might become a cult classic or mercifully disappear out of cinematic history!