Watch Saturday's Children For Free

I like the storyline of this show,it attract me so much

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Worth seeing just to witness how winsome it is.

"Saturday's child has far to go" ...Directed by Vincent Sherman and based on the play by the Pulitzer Prize winning author Maxwell Anderson, this somewhat uneven comedy- drama explores married life and boasts a terrific cast. Julius and Philip Epstein wrote the screenplay.Career bookkeeper Henry Halevy (Claude Rains) and his wife (Elisabeth Risdon) still have their two daughters living with them, 22 year old Bobby (Anne Shirley) and her older sister Florrie (Lee Patrick), whose husband Willie Sands (Roscoe Karns) also lives under the same roof. Willie works for a collection agency.The film opens on a Monday morning, with the always late, financially unsuccessful Henry resisting getting out of bed until Bobby reminds him that today will be her first day of work at Martin's, his place of employment, a mail order shipping company. He tells his daughter that he's both excited, that she'll be starting her first job, and sorry, that she'll realize her father isn't an important man at the office, at the same time. Florrie has her own advice for her sister Bobby's first day, find a husband! She scoffs at the idea of working women, saying that the only reason to seek employment is to find a man to marry who will provide for them. Bobby, who's never been in love, says she isn't even thinking marrying and points to Florrie's own (lack of) "success" in Willie, who has a good sense of humor about it.On her first day, Bobby meets her new boss Mr. Norman (Berton Churchill), who says she's gotten the job on the recommendation of her father, the company's most reliable employee. He then assigns his chatty secretary Gertrude (Dennie Moore) to "show her the ropes". Gert's boyfriend is Herbie Smith (George Tobias).Rims Rosson (John Garfield), an amateur inventor (of things which are practically infeasible) who also works at Martin's, literally bumps into Bobby on his way to and from Mr. Norman's office. Though normally oblivious to others around him, he takes note of Bobby when she helps her father provide aid to a man who is injured in an elevator accident. Rims further gets to know Bobby when he helps her to reconcile some orders with their invoices, because he speaks and reads Spanish.Later, Gert and Herbie convince Bobby and Rims to go bowling with them, which becomes a regular Monday night date for the two, especially when Rims realizes how uniquely honest Bobby is relative to other women he's met. However, when Rims gets an opportunity to finally test one of his invention theories, making silk out of hemp in the Philippines, Bobby takes her scheming sister Florrie's advice to manipulate him into marrying her.Once married, the young couple's struggles begin. However, they truly love each other, so they vow to celebrate all their misfortunes instead of being taken under by them. Because of the war beginning in Europe, Mr. Norman must let go the wives (of men working for the company) go until business picks up again. Though Rims and Bobby had planned to add on to their "above a garage" (worse then next to the train tracks?) apartment, they must cancel these plans. Tom Dugan and John Qualen appear briefly as the carpenters the couple has to fire.While at home one day, Bobby gets the mail and opens a letter addressed to her husband from Manila which states that the job is still available for him there, though they cannot provide him with the salary increase required to bring his wife. That same day, Bobby learns that she is pregnant, so she tears up and discards the letter. When Bobby arrives at their apartment, she sees Rims sitting outside daydreaming. He informs her that it's time to celebrate again, he's been given a 10% decrease in salary and should probably expect another 10% decrease soon given the tough times. She decides not to tell him about her condition.At this point, the film takes several dramatic turns. There is some comedy, involving Willie and Rims, but most of the rest of the story is more serious in nature and involves Bobby "coming clean" to Rims about "hooking him", his reaction and decision, and her father's desperate attempt to provide at least one success in his legacy for his youngest daughter.

So the title card claims, and it's based on a play by Maxwell Anderson, a distinguished American playwright who tackled tough subjects--fascism, apartheid, congressional dysfunction. I don't know this play, but whatever it was, the Epstein brothers utterly standardized it in their thin- blooded adaptation, a weak domestic drama where co-workers John Garfield and Anne Shirley meet, fall in love, marry, and suffer small-people problems. He's polite and mild-mannered and uninteresting, and she's pure ingenue, and watching them trod along the well-worn path of conventional screen romance has no bite. Even Claude Rains, as her father, seems disengaged. At least Lee Patrick, as her scheming sister, and Roscoe Karns, as her cynical brother-in-law, provide a little bite, and George Tobias is on the periphery, playing what he always played. But, despite an attempted suicide, a hidden pregnancy, and penny-ante deceptions in the young pair's marriage, it's slow, repetitive, and unfelt. And it needs edge. Oh, how it needs edge.

I've been watching any John Garfield films I can lately, and so far, this has been the most disappointing. Garfield is so miscast. I can't imagine what the studio was thinking. The film attempts to deal with the issue of young marriage facing poverty, but every character is so naive that I often found myself wondering if there was a gas leak in their building. It's the only rational way to explain their inability to cope with major problems at anything other than a fifth grade level. Garfield, who was Brando before there even was a Brando, is thoroughly wasted here. He plays his character as a sort of slack-jawed mope, who either pouts or widens his eyes at every little thing. Anne Shirley is attractive, but bland. Claude Rains starts promisingly, but even he can't surmount the problems inherent in the script. The film also commits the horror of having a character use the title in a dramatic moment in the end, summing up the entire film just before the credits roll. As if people really talk like that. John Garfield is amazing, and worth watching in just about anything. But not this.

This wartime movie about the struggle of a family in a still economically depressed New York environment, tries hard to entertain with its Neil Simonesque dialogue. Then comes the bombshell. When father Halevy (Claude Rains), a failure by anyone's, including his own, standards, realizes that his adored daughter Bobby (Anne Shirley) is headed for an unrealized life of failure not unlike his own for want of a mere one thousand dollars, he decides to give her this money the only way he still can, by staging a potentially suicidal elevator crash. The scene of Halevy's leaving home before going through with this scheme is very close to Willy Loman's corresponding scene in "Death of a Salesman." According to the credits, "Saturday's Children" is based on a Pulitzer Prize winning play by Maxwell Anderson, which a young Arthur Miller surely must have seen. If it suggested the end of his major masterpiece "Death of a Salesman" to Miller, that alone would redeem this otherwise schmaltzy play/movie.